Editing
Sound
Potpourri
Mise-en-scene
Cinematography
100

An editing style that preserves temporal and/or spatial consistency, typically described as providing greater realism.

Continuity editing?

100

Sound which has its source in the narrative world of film (as opposed to sound which has no identifiable source in a narrative world).

Diegetic sound

100

Literally meaning, "the appearance of being true," this term describes the spatial and temporal continuity that allows viewers to accept the presented world as true or plausible. 

Verisimilitude

100

 The four elements of mise-en-scene

1. performance and staging (or blocking)

2. setting and sets (props included)

3. costumes and makeup

4. lighting

100

The range of distances within which objects can be photographed in sharp focus.

Depth of field

200

The technique of alternating between multiple strands of simultaneous action.

Crosscutting or parallel editing

200

Sound that is attached to an image on screen VS Sound that is not attached to an image on screen

Synchronous vs asynchronous sound

200

La Cienega uses this technique that overlaps and collides disjunctive sounds in a film

Sound montage

200

The two traditional "types" associated with mise-en-scene.

Naturalistic and Theatrical

200

The technique of moving the camera forward at the same pace of zooming out, or vice versa.

Dolly zoom

300

A jump cut is exemplary of this style of editing.

Disjunctive editing

300

The process of adjusting the levels of music, dialogue, and sound effects.

Sound mixing

300

A shot-by-shot depiction of a film sequence

Storyboard

300

The physical, cultural, and historical accuracy of a film's mise-en-scene creates this.

Scenic realism

300

A technique that assumes film frames can be divided along three horizontal and three vertical lines, and suggests that subjects be placed along these lines for maximum visual interest.

The rule of thirds

400

A rule in continuity editing in which the camera must film the action of a scene from one side of an imaginary "axis of action."

The 180 degree rule

400

The combination of music, dialogue, and sound effects tracks in relation to the image track.

Sound editing

400

The first feature film with synchronous dialogue.

The Jazz Singer

Double Jeopardy: the year that the film came out.

400

A type of mise-en-scene that creates fantastical or expressive environments which display and even celebrate their own artificial and constructed nature (as opposed to naturalistic mise-en-scene).

Theatrical mise-en-scene

400

The width-to-height ratio of the film frame.

Aspect ratio

500

The collision of two antithetical shots (shot A and shot B) to create a meaning that exceeds both.

Dialectical montage

500

The name for (practical) sound-effect creators.

Foley artists

500

A famous editing experiment that demonstrated how viewers naturally ascribe meaning to shots ordered sequentially.

The Kuleshov effect

500

Dramatic, high-contrast lighting that emphasizes shadows and the contrast between light and dark.

Chiaroscuro lighting

500

The normal frame rate for filmmaking.

24 frames per second