1
2
3
4
5
100

A shot of a detail within

your scene other than the characters' faces.



Cutaway

100

A dramatic event in which the action, decisions, or revelations of that moment move the plot forward either by intensifying it or by sending it in a new direction.



Narrative Beat



100

The coordination of the movements of the

actors in the scene.




Blocking

100

Which shot usually takes the longest to setup? 

The first one 

100

Dailies

Takes edited together to be reviewed for coverage and performance.

200

The middle part of the story.

Conflict
200

A prose description of the plot, written in the present tense, as the film will unfold for the audience, scene by scene.



Treatment 

200

Who makes sure releases are signed?

Producer 

200

Who should have an area to rest on set?

Talent 

200

Assembly cut

First version of the cut created by the editor, using the script.

300

Illusion of a three-

dimensional world (height, width, and

depth) on a two-dimensional screen

surface.



Deep space

300

It is both a literary manuscript, conveying the dramatic story for a reader, and a technical document that anticipates the logistics of the production process and allows everyone involved in your project to see what they need to do.



Screenplay

300

A character purely reacting to the

moment.



Reaction shot 

300

Points out any safety concerns at the top of the day...

First AD

300

Rough cut

Can have several versions, but usually involves the feedback of the director and others. Everything has been completed except for grading and mastering. 

400

Provides a place for the scene or film to end.

Resolution

400

A list of all the shots that make up the film in the order in which they will be shot. 

Shot list 

400

After wrapping for the day, most important to...

Offload footage 

400

The only person that should be speaking to Talent.

Director

400

Alternating between the two reverse shot angles (singles or OTS). 



Shot-reverse-shot

500

A term derived from a French

theatrical phrase which means

“put on stage”





Mise-en-scene

500

Drawings of each scene from a bird's eye perspective; they help figure out important details like the axis of action, camera placement, and character blocking (the movement of your characters in the space).



Overheads

500

"Speed" 

Sound Recordist

500

"Camera set"

DP

500

English film director and producer, explains now that we shoot digitally there is more opportunity to use more cuts in this type of scene, accelerating it.

Action scene.