Unit 1: Conflict
Unit 2: Character
Unit 3: Theme
Unit 4: Point of View
Unit 5: Structure
Unit 6: Tone
TKAM
100

This is the central character in a story. 

Protagonist

100

This is a complex, multi-faceted character that is capable of surprising the reader.

Round

100

Ideas about life that can be understood by people of all times and places are called this.

Universal theme

100

In this kind of point-of-view, the storyteller "knows all," including how other characters think and feel. 

Omniscient

100

This is the action, or series of events of a story.

Plot

100

Tone is the attitude of this person.

Author

100

This is the author of TKAM. 

Harper Lee

200

This term means hinting at events that will occur later in a story. 

Foreshadowing

200

This is a character that does not change, whether they have positive or negative traits.

Static

200

Themes that are not openly stated by an author but must be inferred from the details of the story are called this. 

Implicit theme

200

This kind of point-of-view relates only what the narrator can reasonably know and uses pronouns such as "I."

first-person

200

This is a story development that violates the reader's expectations. 

Plot twist (surprise ending)

200

Similar to tone, this term refers to the atmosphere, or emotion the reader is intended to share with the story's characters. 

mood

200

This is the time period and setting of TKAM. 

1930s, Maycomb, Alabama

300

This term refers to the anxiety that comes from an author's withholding of plot details. 

suspense

300

This refers to a character who undergoes changes in attitude or thinking, who develops through the story. 

Dynamic
300

This is the simplest form of theme, a short, explicit statement, often found at the end of fables. 

moral

300

This term refers to categories or types of literature. 

genre

300

This is the part of the story that introduces the setting, characters, and situation. 

exposition

300

Cyrano saying,"This lengthy nose which, go where'er I will,/Pokes yet a quarter-mile ahead of me," is an example of this term.

overstatement (hyperbole)

300

This is the narrator and POV of TKAM. 

Scout, 1st person

400

This refers to an author using the dress, dialect, geography, social practices, and general worldview of a specific region to portray the story 

local color

400

This is a character who possesses character qualities that directly oppose or contrast with another character's, and this is the character in Don Quixote who exemplifies this. 

foil/Sancho Panza

400

This refers to a situation in which the reader/audience is aware of a plot development  of which the character(s) is unaware. 

Dramatic irony

400

"The Silver Mine," "The Open Window," and "The Forty Thieves" are examples of this type of "story within a story."

Frame story

400

This is an event that sets in motion the conflict of the story. 

inciting moment

400

 Cyrano saying to Roxanne, "You were not ill to see!" is an example of this term.

understatement (litotes)

400

This is the genre of TKAM. 

historical fiction/Courtroom drama

500

This is literature written to persuade a reader to believe the author's position on a significant issue. 

Propaganda

500

These are three ways an author can reveal a character's traits, either directly or indirectly. 

description, dialogue, action

500

In this passage from "The Silver Mine," is the theme explicit or implicit?

"'The kingdom is better served with men than with money,' remarked the king. When he had said this, he bade the clergyman farewell and went out from the vestry." 

explicit

500

In this type of fiction, the author rarely uses an omniscient point of view in order to keep the reader in suspense until the end. 

Detective fiction

500

What technique is used effectively in "The Adventure of the Beryl Coronet" to keep the reader in suspense until Sherlock Holmes reveals how he solved the case? 

flashback/telling the story from Watson's limited POV

500

This is the tone of Max Beerbohm's "The Crime."

humorous

500

This character was the town gossip. 

Miss Stephanie

600
This is the greater force that keeps Hawkins "Under the Lion's Paw."

greedy land speculation/laws that favor the landowners

600

Phaethon's rashness in demanding to drive his Sun father's chariot is an example of this. 

tragic flaw (pride)

600

This is the theme of the story about the Gessler brothers who made shoes but were put out of business by more modern shoemakers. 

Quality/ or Quality is better than mass production and compromise of standards

600

This is a short narrative of a single interesting or amusing incident. 

anecdote

600

This is the "untying" or plot resolution. 

denouement

600

These are the two main divisions of drama.

Comedy and Tragedy

600

This is who killed Bob Ewell.

Boo (Arthur) Radley

700

This was the plot twist in the story "Miss Hinch."

The main characters were in disguise (The old lady was really Jessie Dark, the reporter, and the clergyman was really Miss Hinch.)

700

Anton (Neighbor Rosicky) was an example of these two character terms. 

Round, Static, sympathetic

700

In Dr. Heidegger's Experiment, this was the symbol of lost youth.

a rose

700

This is the point of view used in "The Open Window" in most of the story, and this is what it changes to in order to make the incident humorous and ironic.  

Limited omniscient/Omniscient

700

In "The Necklace," this is the inciting moment that leads to the downfall of Mathilde Loisel and her husband.

an invitation to a fancy party

700

 "Pardon! A Balthazar feast!" is an example of this type of reference. 

allusion

700

This was the lesson Atticus taught Scout that she demonstrated she had learned after she walked Boo Radley home. 

You never know a person until you walk around in their skin. 

800

This was the main conflict in "Top Man" and the resolution of the conflict.  

Man vs Man (external) between Nace and Osborn; resolved when Osborn placed Nace's ax on the summit of K3 to give him credit for being the first to reach the top. 

800

This quote reveals the character traits of this character: "'I'm a plain man; rum and bacon and eggs is what I want.'...He was a very silent man by custom. All day he hung round the cove or upon the cliffs, with a brass telescope."

Billy Bones/the Captain

800

These are the contrasting themes about death in the poems "Go Down, Death" and "Do not go gentle into that good night."

Death is not the end./Death is inevitable, but we should still fight it. 

800

This (a or b) is the omniscient POV example, along with the words that prove it:

a. "One day, when Ali Baba was in the forest, he saw a troop of men on horseback...He was afraid they were robbers, and climbed into a tree for safety."

b. "I got it in my right leg here." the other replied, "an I think it broke the bone...I guess it'll be weeks before I walk again."

a. (He was afraid.) b. Only words reveal thoughts.

800

This is the climax of the structure of "The Necklace," and this plot element is left out of the story? 

When Mathilde finds out the necklace was fake/denouement

800

Rostand's tone toward these three characters changes from negative (or slightly negative) to positive toward the end of the play, as they are dynamic characters.

Roxanne, Christian, and DeGuiche

800

This was the meaning of the symbol "mockingbird and these were the two main "mockingbirds."

an innocent person (Tom, Boo)