Francisco Goya, Madrid, Spain, Romanticism, oil on canvas. empathy for massacred Spanish peasants by their horrified expressions and anguish on their faces, show lack of humanity from French fire squad.
1814-15- Third of May, 1808
100
Gustave Coubet: Realism oil on canvas. Genre scene everyday life, low class identity of people is unimportant. Marxism-worry of social classes, nothing grandiose, yet dignified.
1849-The Stone Breakers
100
Thomas Ealans, USA, Realism, oil on canvas. Problematic image- surgery. mother looking away, others taking notes.
1863-The Grass Clinic
100
Vincent Van Gogh, France, Post impressionism, oil on canvas. Organized, to give movement spirals move up from ground strong colors peace and tranquility but tumoltuous interior struggles, more emotional response, personal.
1889- Starry Night
100
Paul Cezanne, France Post impressionism, oil on canvas. Doesn't like impressionist color, he made own use of color.volume in color makes cube shape paints repeated subject always trying to build.
1902-1904-Mont Sainte-Victoire
200
Francisco Goya, Madrid Spain, Romanticism, detatched fresco mounted on canvas. expresses aging artists despair. greek for time
1819-1823-Saturn Devouring One of his children.
200
Eugene Debracroix France Romanticism on oil canvas. Epitome of Romanticism; going against all ideas and Neo classicalism; no structural dynamic, no balance, no rationality, orgasmic destruction, loose brushstrokes
1827- Death of Sardanapalus
200
Edovar Monet, Paris Realism oil on canvas
1863- Olympia
200
Paul Gavgin, France, Post Impressionism/symbolism, oil on canvas. Unhappy about what was happening in Tanuti- French had taken over, changed way they live; not so primative after he tries to commit suicide
1897-Where do we come from? What are we? Where are we going?
300
Theodore Gericult, France Romanticism. rejection of Neoclassical composition principles. jumble of bodies suffering despair and death
1818-1819-Raft of Medusa
300
Eugene Delacroix France. Romanticism oil on canvas. Actual revolt against king, movement bodies everywhere, nudity. women would not have been there, allegorical representation dynamic battle
1830-Liberty Leading the People
300
Claude Monet, France, Impressionism, oil on canvas.
Painterly style, looks unfinished. Details of quick glance, schematic colors, impression of light. Light is most important; paints outside as is- light is constantly changing more than just photography- painting goes beyond just capturing what it is.
Impression Sunrise-1872
400
Jean-Auguste Dominique Ingres, France, Neoclassism, oil on canvas. Reclining female nude- Turkish harem; exotic