Origins
Hip Hop, Music Industry, and the Public
Slang and Beyond
Era Defining Names
Historic Moments
100
The borough and city of origin for Hip Hop

Bronx, NYC

100

The Music Industry is most concerned with this.

Money

100

The use of rhyme, rhythm, and slang to create rhythmic poetry.

Rapping

100

The two biggest names in the Gangsta Rap Era, unintentionally creating an east coast vs west coast feud that became stained with blood.

Tupac and B.I.G 

100

In 1996, the first of two significant murders was committed on this big name in Gangsta Rap

Tupac Shakur

200

The man who is credited with coining the term "Hip Hop". He used the phrase to mock his friend's recent enlistment in the US army.

Keith "Cowboy" Wiggins

200

This is a term that is used to skirt the nature of the act, which is essentially bribing elected officials.

Lobbying

200

This era from 1979-1984, features simplistic rhyme structure and a noncompetitive rapping community.

Old School

200

The first group to gain national attention for their controversial lyrics about rampant police brutality in 1980s California.

N.W.A

200

In 1997, a retaliatory murder was committed against this name while he was visiting Los Angeles to join an award ceremony.

Notorious B.I.G / Biggie Smalls / Biggie

300

The group who first used the phrase "Hip Hop" in a song. 

Sugarhill Gang

300

The subgenre within rap that was most heavily indulged in by the music industry, eventually resulting in a drop in sales.

Gangsta Rap

300
This era, from 1985-1993, is the period in which Hip Hop lyricism went through its most dramatic transformation.

Golden Age

300

The two people who are credited for creating the first instances of hip hop music.

DJ Kool Herc and Cindy Campbell

300

By 2005, a huge decline in sales was admitted from much of the music industry, particularly Hip Hop. The main reason is most likely due to these P2P programs that allowed for music piracy.

Napster or Limewire

400

The original drum machine that saved many a Hip Hop artist time and money. It gave them an easy way to experiment with all kinds of custom backing beats.

Roland TR-808

400

The music industry, particularly in Hip Hop, targets these types of people in order to mold them into stars because they're easier to manipulate and swindle.

Young

400

A pejorative term for the way that people claim trap rap features song lyrics that are unintelligible.

"mumble rap"

400

While not the origin of the triplet, this song is the reason triplet rhythmic forms became so popular in hip hop after 2013.

Versace

400

2008 marked the rise of these internet communication platforms that paved the way for unknown soundcloud talent.

Social Media / Facebook / Myspace

500

The Jamaican inspiration for rapping was originally called this.

Toasting

500

This person is attributed with speaking out against the music industry's heavy focus on depicting consumerism to take advantage of an audience of marginalized people.

Manthia Daiwara

500

This is the name for the rhythms, rhymes, and how they interact/interplay with one another. It has to follow the beat/tempo.

Flow

500

In 2008 these names came into fame with the help of the internet with their lyrics that expressed vulnerability, themes of alienation, and bullying,  previously unheard of in mainstream hip hop.

Kid Cudi

500

Ever since 2013, this is the method of music consumption that most people use, devaluing record sales while increasing the value of live concerts.

Streaming

600

Beginning widespread attention in 2014, this genre was first experimented with in the south with triplet rhythmic forms.

Trap Music

600

This woman is known for her heated response to Bill Clinton's White House administration that was "never intending to deal with inner city chaos"

Sister Souljah

600

This the name of the era beginning in 1997, featuring excessive displays of wealth and success.

Bling
600

In 2008, this name was famous for his extreme use of autotune, though he doesn't necessarily need it.

T-Pain

600

Until the mighty Roland TR-808, this is the way background beats had to be laid during block parties or for musical recordings for early hip hop music.

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