Writing
Auditions
The
Theater
Acting
Styles
History
100

A long speech by one actor in a play or movie

Monologue

100

A planned conversation between two or more characters.

Dialogue

100

 final appearance of the cast, at the end of the play

Curtain Call

100

Items that can be seen, described imaginatively, not literally

Visual metaphor

100

 Aspects of character that are beyond the actor’s control

Given Circumstances

200

A poem of fourteen lines in a formal rhyme scheme

Sonnet

200

giving an actor the same kind of role over & over

Typecasting

200

Type of theater where the stage & audience positions can be changed

Black Box

200

making each: event, person, details & place as exact as possible

Particularization

200

The recollection of past experiences in an actor's life in order to recreate genuine emotion on stage.

Affective memory

300

 A pair of actors on stage respond directly to each other's words and intent

Duo Scene

300

Character that represents a category of character

Archetype

300

to rewrite a drama into a work otherwise not written for the stage

Dramatization

300

The actor tries to answer the question, “If this were real, how would I react?”

Magic if/What if

300

A theatrical movement in which playwrights created works representing the unknowable & humankind’s existence    

Theatre of the absurd

400

To be in the shoes of the character despite being different

Empathy

400

overacting, indulging in histrionics, flailing about…

Chew the scenery

400

An item-by-item sequence of events that will happen within a show

Rundown

400

An Acting system in which actors portray emotions on stage by putting themselves in the place of the character

Stanislavsky method

400

Daily Double!!

 A german playwright who wanted to remind the audience that they were always watching theatre

500

To reference to any experience of emotional release or cleansing

Catharsis

500

A character’s active, thoughts while the actor is playing a role

Inner Monologue

500

 The fundamental action or conflict of a play, that pushes the story along the plot

Spine

500

A technichic in which the actor concentrates on the other actors in the environment

Meisner technique

500

 An 1950s actor, director, acting coach; created "the nation's most prestigious acting school"

Lee Strasberg