Quotent Quotables
Quotent Quotables 2
Whodunnit (characters)
Motif-o-rama
Name that term!
100

"Like men we'll face the murderous, cowardly pack / pressed to the wall, dying, but fighting back!"

Claude McKay (If We Must Die)

100
"Good fences make good neighbors"

Robert Frost (Mending Wall)

100

Stabbed Jean Morris in the chest and eventually left Europe for Africa

Mustafa Sa'eed

100

Estha is often figured as having this type of animal living inside of him

octopus

100

A literary figure of direct comparison (this is your bread and butter)

Metaphor

200

"So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay"

Robert Frost (Nothing Gold Can Stay)

200

"He possessed the power. He held it in his hand. A power stronger than the power of money or the power of terror or the power of death: the invincible power to command the love of mankind."

Perfume

200

Wore nylon stockings around his neck as a good luck charm to keep himself safe; carried a machine gun

Henry Dobbins

200

This motif is portrayed throughout Perfume as a characterization linking Grenouille to inhumanity

animal motif (spiders, ticks)

200

Detailed language about scent or odor that evokes powerful sensory perception

Olfactory imagery

300

"How can a person claim to love you and yet want you to do things that suit only them? Udenna was like that"

The Thing Around Your Neck

300

"Mostly though, they waited. For the mail. For the news. For the bells. For breakfast and lunch and dinner. For one day to be over and the next day to begin"

When the Emperor Was Divine

300

Returns from an internment camp listless and broken, seemingly unable to work at all

Father in WEWD

300

Otsuka uses these natural motifs to convey the hostile environment of the internment camp

dust, bright light

300

Dramatic device where a character directly addresses the audience, with the idea that other onstage characters cannot hear

Aside

400

"This my hand will rather the multitudinous seas incarnadine, making the green one red"

Macbeth

400

"We'll speak their language without either a sense of guilt or a sense of gratitude. Once again we shall be as we were — ordinary people — and if we are lies we shall be lies of our own making."

Season of Migration to the North

400
Had Two Thoughts while stirring a sticky jam (about how anything can happen to anyone and it's best to be prepared)

Estha

400

Macbeth calls upon these opposing forces often. Imagery plays up the contrast between these. He imagines stars hiding themselves or his eyes seeled shut in order to heighten this motif

light/dark, darkness

400

BE VERY PRECISE: the poetic foot that goes unstressed-stressed, like: u /

Iamb

500

"There are always two deaths, the real one and the one people know about"

Wide Sargasso Sea

500

"the secret of the Great Stories is that they have no secrets. The Great Stories are the ones you have heard and want to hear again"

The God of Small Things

500
Loves Antoinette in secret, as only revealed in retrospect in Part III of Wide Sargasso Sea

Sandy

500

This text makes use of motifs surrounding family, especially about absent or toxic mother-child relationships

Into the Woods

500

Interlocking rhyme pattern of tercets in poetry, such as ABA BCB CDC

terza rima