Artists, Labels, and Agreements
Marketing and Distribution
Record and Video Production
On-Demand Streaming
Market Analytics
200

This type of label employee is responsible for discovering and signing talent, as well as acting as a liason between the artists and label staff after they are signed.

A&R person

200

Over 80% of recorded music revenue comes from this.

Streaming 

200

These are the three phases of record production that happen "in the studio" between pre- and post- production. 

Tracking, editing, and mixing

200

These are the two primary revenue models for on-demand streaming.

Paid subscription and ad-supported

200

Billboard began publishing the first national charts in this decade. 

1930s 

400

In most record deals, this party will receive copyright ownership of the masters. 

The label

400

This term refers to data attached to a sound recording that identifies genre, title, artist name, year, and other information about the song.

Metadata

400

A producer will generally receive the second half of their advance after this point in the production process. 

After the label accepts the master

400

This term refers to the proportion of subscribers canceling a streaming service per month. 

Churn rate

400

Beginning in the early 90’s, this company compiled record sales data from retailers by using the data captured by POS systems from scans of UPCs on records. 

Soundscan 

600

This type of record deal grants the label rights to receive/manage additional portions of an artist's income and career besides their recordings. 

Multi-rights (360) deal


600

This entity serves as the middle party between the label and the retailer. 

Distributor

600

A producer's royalty rate, typically deducted from the artist's "all-in" rate, is generally referred to as this. 

Point

600

Most streaming services follow this type of model, which calculates payout for each artist based on overall streams vs. total number of streams. 

Pro rata

600

Today, consumption data in the music  industry is measured not through a “data sample method”, but instead through this. 

Data census method 

800

SAG-AFTRA and AFM require labels that they have agreements with to do this when they acquire masters from a non-signatory label. 

Retroactively pay musicians on the record to union scale

800

CDBaby and Distrokid are examples of this type of service, often used by independent or DIY artists 

Digital aggregator/Digital distribution service 

800

This type of label employee may be assigned to keep track of a record's overall budget and money flow on a day-to-day basis. 

A&R person

800

App platforms, such as Google Play or the Apple App Store, may have this type of rule that prevents apps from having buttons that direct users to anything other than in-app purchases. 

Anti-steering rules 

800

This platform, which we reviewed in class, provides market-level data about artists, playlists, charts, and radio airplay in a user-friendly dashboard-style platform. 

Chartmetric 

1000

This service pays the record label royalties from noninteractive streaming. 

Soundexchange

1000

This term refers to how streams and track sales are converted into the equivalent of an album sale for charting and data purposes. 

Album Equivalent Units

1000

A music video of a typical radio single-length song (3-5 mins) is referred to as this type of video. 

Short-form video 

1000

On-demand streaming services in the US pay these three types of royalties for each stream on their service. 

Performance royalties for the musical works, mechanical royalties for the musical works, mechanical royalties for the sound recording

1000

These two organizations provide year-end data reports on the music industry that we have reviewed in class. 

Luminate and RIAA