Back to Ballet
Leaps
Turns
Kicks
Bonus
100

show me these ballet body positions

Devant: To the front

Derrière: To the back (close to the rear)

Croisé: Crossed alignment

Seconde: To the second position (lateral)

Ècarté: Separated or thrown wide apart

Effacé: Shaded

Epaulé: Shouldered

visual rep

100

show the various arm variations you can use for leaps

must get at least 3

ex(arms in 1st, 2nd, closed 4th, open 4th, 5th, blades)
100

show the difference between a pirouette in jazz and a pirouette in ballet

show class 

(parallell vs turn out)

100

demonstrate the difference between kicks in 1st and kicks in 2nd

show with body


100

What kind of dog does Miss Bianca have?

Pomeranian

200

vocab fire must get all to get points

tendu

deggage

ron de jambe

frappe

fondu

tendu- stretched, tight, pointed

deggage- disengage/disengaging step

rond de jambe- circle of the leg

frappe- to strike

fondu- to melt

200

explain and demo the prep for a side leap and how you get into and how you land it.

show class


200

explain the difference of leg/foot placement for each turn.

pirouette

pique

pencil

coupe

attitude

back attitude

demo each

200
explain the correct elements that go into a layout kick from head to toe

demo with body


200

What is my favorite part of Gardettos/Chex Mix

brown bread bites

300

demonstrate and explain the difference between "grand jete" and "saut de chat"

The primary difference between a grand jeté and a saut de chat is the action of the front leg: a grand jeté involves a straight-leg brush (grand battement), while a saut de chat uses a bent-knee extension (développé). Both are large, traveling splits leaps, but the saut de chat offers a softer, higher-reaching start

300

show and explain the difference between a fire bird leap and a back attitude leap

show the class

300

what is the difference between a fouette and an al a seconde turn

Fouetté turns involve a whipping motion of the working leg from front to side (or side to passé) to generate momentum, often performed as a series of singles/doubles. In contrast, turns à la seconde (or tours à la seconde) maintain the working leg extended to the side throughout the rotation, relying on standing leg strength rather than a whipping motion.

300

demonstrate the difference between a tilt extension and a regular leg extension

has to talk about hip placement and demo correctly


300

What dance studio did I go to growing up?

Dance Studio of Wakefield

400

show me an example of a reverence in ballet

reverence is a formal type of bow/curtsy to show respect/to honor fellow dancers, instructors, and band.

400

demo and show the difference of a switch leap and a reverse leap

show the class

400

demonstrate the right and wrong way to do a turning disc and explain what is required to do one.

show class

400

what muscles/things should be engaged when doing kicks?

must get at least 4

-hamstrings

-quads

-ankles

-core

-hip flexors

-glutes

-back muscles

-shoulders

-arms



400

Where did I rescue Priscilla from?

the amish!!!

500

give us small examples of both petit allegro and petit adagio and tell us the difference between them

Petit allegro consists of small, fast, and precise jumps (e.g., jetés, assemblés) focusing on speed, sharp footwork, and coordination. Conversely, adagio (or petit adagio) features slow, sustained, and fluid movements focusing on strength, balance, and control. Petit allegro tests agility, while adagio tests control.

500

try this

right leg saut de chat

side leap

chaine jete (not to floor) (give yourself a down chaine prep)

turning disc

show 

500

try this sequence:

4 fouette turns

4 floaters

3 pirouettes

go off !!!!!!!


500

try this

battement on right, battement on left, battement releve right, battement releve left,

leg of choice lay out kick into illusion, walk walk leg extension (can be tilt)

show us

500

What did I do for a job in dance BEFORE I worked at Lizas

Latin and Ballroom instructor