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100

Is the time and place in which a story takes place.

Setting

100

Is the genre or the central idea of a story.

Theme

100

Are the people/animals in the story.

Characters

100

Is the perspective of who’s telling the story.

Point of View (POV)

100

The point at which the central conflict is ended, or resolved.

Resolution

200

Character who opposes a protagonist.

Antagonist

200

Words and phrases used to help the reader develop a mental image of the story.

Imagery

200

Describes specific sounds that are happening within a story.

Auditory

200

Highest point of interest and the turning point of the story.

Climax

200

Appeals to the sense of touch.

Tactile

300

The leading character struggles with himself with his own soul, ideas of right or wrong, physical limitations, choices, etc.

Man Vs. Himself

300

The leading character struggles with his physical strength against other men, forces of nature, or animals.

Man Vs. Man

300

Writers interrupt the forward flow of the story to introduce a scene or episode from the past that explains or comments on the present situation.

Flashback

300

This starts at the beginning and moves through time.

Chronological
300

Pertains to the sense of taste.

Gustatory

400

Most difficult form of imagery to write, because it deals with creating a specific feeling or emotion within the reader.

Organic

400

Struggle with a force outside one’s self.

External Conflict

400

I am telling the story.

First Person POV

400

Writers provide hints or clues in the story of events that will occur later.

Foreshadowing

400

It guides the readers right into the emotion you want them to feel in a particular scene.

Tone

500

A principle that states that a traditional plot structure must have a situation, conflict, and resolution.

BME Aristotelian Principle

500

Evokes certain feelings or vibes in readers through words and descriptions.

Mood

500

This starts in the present, flashes back to the past and returns to the present at the conclusion.

Circular or Anticipatory

500

Three Major Techniques in Characterization

  • Direct Description

  • Portrayal of Character’s Behavior

  • Representations of Character’s Internal States

500

Exposition, rising action, climax, falling action, and resolution.

Freytag’s Pyramid