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100

 The ways individual characters are represented by the narrator or author of a text. This includes descriptions of the characters’ physical appearances, personalities, actions, interactions, and dialogue.

Characterization

100

The perspective (visual, interpretive, bias, etc.) a text takes when presenting its plot and narrative.

Point of View

100

Describes a narrative told from the perspective of an outside figure who does not participate directly in the events of a story. This mode uses “he,” “she,” and “it” to describe events and characters.

Third person

100

A mode of writing in which the author traces his or her thoughts verbatim into the text. Typically, this style offers a representation of the author’s exact thoughts throughout the writing process and can be used to convey a variety of different emotions or as a form of pre-writing

Stream of consciousness

100

According to Baldick, “The repetition of the same sounds—usually initial consonants of words or of stressed syllabus—in any sequence of neighboring words” (Baldick 6). ______________is typically used to convey a specific tone or message.

Alliteration

200

Spoken exchanges between characters in a dramatic or literary work, usually between two or more speakers.

Dialogue

200

Comprising an author’s diction, syntax, tone, characters, and other narrative techniques, _____is used to describe the way an author uses language to convey his or her ideas and purpose in writing.

Style

200

A narrative perspective that typically addresses that audience using “you.” This mode can help authors address readers and invest them in the story.

Second person

200

 A character in a text who the protagonist opposes. The antagonist is often (though not always) the villain of a story

Antagonist

200

A literary mode that attempts to convert abstract concepts, values, beliefs, or historical events into characters or other tangible elements in a narrative.

Allegory

300

A kind of literature. For instance, comedy, mystery, tragedy, satire, elegy, romance, and epic are all genres. Texts frequently draw elements from multiple genres to create dynamic narratives.

Genre

300

An object or element incorporated into a narrative to represent another concept or concern. Broadly, representing one thing with another.

Symbol(ism)

300

A story told from the perspective of one or several characters, each of whom typically uses the word “I.” This means that readers “see” or experience events in the story through the narrator’s eyes.

First person

300

A protagonist of a story who embodies none of the qualities typically assigned to traditional heroes and heroines. Not to be confused with the antagonist of a story, the _______ is a protagonist whose failings are typically used to humanize him or her and convey a message about the reality of human existence

Anti-hero

300

When a text references, incorporates, or responds to an earlier piece

Allusion

400

A term used to describe an author’s use of vivid descriptions. It can refer to the literal landscape or characters described in a narrative or the theoretical concepts an author employs.

Imagery

400

“a salient abstract idea [or lesson] that emerges from a literary work’s treatment of its subject-matter; or a topic recurring in a number or literary works” (Baldick 258).

Theme 

400

Typically refers to saying one thing and meaning the opposite, often to shock audiences and emphasize the importance of the truth.

Irony

400

The artistic representation of a concept, quality, or idea in the form of a person. ___________can also refer to “a person who is considered a representative type of a particular quality or concept” (Taafe 120)

Personification

400

a figure of speech that refers to one thing by another in order to identify similarities between the two (and therefore define each in relation to one another).

Metaphor

500

The sequence of events that occur through a work to produce a coherent narrative or story.

Plot

500

A way of communicating information (in writing, images, or sound) that conveys an attitude of the author.

Tone
500

A style of writing that mocks, ridicules, or pokes fun at a person, belief, or group of people in order to challenge them. Often, texts employing satire use sarcasm, irony, or exaggeration to assert their perspective.

Satire

500

The primary character in a text, often positioned as “good” or the character with whom readers are expected to identify. ____________usually oppose an antagonist.

Protagonist

500

a figure of speech that compares two people, objects, elements, or concepts using “like” or “as.”

Simile