Poetry
Riddles
Grammar
Devices
Elements of a story
100

The grouping of lines in a poem is called ....

a stanza

100

I am a poetic identity theft. I am not the author who held the pen, but rather the fictional mask or character voice the author puts on to speak the poem directly to you.

The speaker

100

I am the bossy engine of the sentence. I show action, movement, or a state of being, and without me, a sentence cannot legally exist

verb
100

I am a flashback's opposite. I am a subtle trail of breadcrumbs or a dark shadow cast by the author to hint at a major plot twist that will happen later in the story.

Foreshadowing

100

I am the introduction. I am the very beginning of a story where the author introduces the main characters, sets up the background, and describes the setting

Exposition

200

What term describes a significant shift or pivot in a poem?

Turn

200

I am a structural mirror. I repeat the exact same grammatical framework across multiple lines, like 'I came, I saw, I conquered,' to build momentum."

Parallelism

200

I am a linguistic stunt double. I step in to replace a specific noun so you don't have to keep repeating names like 'Sarah' or 'the dog' over and over again

Pronoun

200

I am a master of disguise. I look like a regular object—like a green light, a mockingbird, or a scarlet letter—but underneath my surface, I carry a massive, deeper meaning.

Symbol

200

I am the engine of conflict. I am the rival, the villain, or the literal force of nature that stands directly in the way of the protagonist's goals.

Antagonist

300

The pattern of poems at the end of each sentence

Rhyme Scheme

300

I am a comparison that cuts out the middleman. I don't use 'like' or 'as'—I just boldly state that one thing is another, like saying 'your room is a disaster zone.

Metaphor

300

I am a descriptive decorator. I paint a picture by modifying or describing nouns and pronouns, telling you what color, size, or shape they are

Adjective

300

I am a side-by-side comparison. I happen when a writer places two highly contrasting things—like a beautiful flower growing out of a cracked, grimy sidewalk—close together to show their differences

Juxtaposition

300

I am the peak of the mountain. I am the turning point, the most exciting moment, or the highest point of tension in the entire story where everything changes.

Climax

400

What term describes a poem without rhyme or meter?

Free Verse

400

I am a building block. I am a single row of words in a poem, and when you count my syllables, you find my rhythm.

A line

400

I am a grammatical matchmaker. I connect words, phrases, or clauses together—like and, but, or, and so—to keep the sentence flowing

Conjunction

400

 I am an author's word choice. I am the deliberate selection of specific words to create a certain tone or mood

Diction

400

I am a literary shadow. I am a character who exists purely to contrast sharply with the protagonist, highlighting their specific strengths or weaknesses by being their exact opposite.

Character Foil

500

A 14-line poem written in iambic pentameter with a strict rhyme scheme of ababcdcdedfefgg.

Shakespearean Sonnet

500

I am the emotional weather of a poem. I am the overall atmosphere, feeling, or vibe that a reader experiences while sitting with the piece.

Mood

500

I am the ultimate hybrid. I am stronger than a comma but weaker than a period, perfectly suited to link two independent thoughts that are closely related

Semicolon

500

I am a movie for your mind. I am the vivid, highly descriptive language an author uses to paint a picture

Imagery

500

I am a character of static dimensions. I am uncomplicated, predictable, and defined by a single, solitary personality trait or stereotype

Flat Character