Literary Devices
Characterization
Conflict
Rhetorical Devices
Point of View
100

A comparison of two unlike things in which no word of comparison is used

metaphor

100

When the author SHOWS the reader personality traits of the characters. These are the main tools of indirect characterization: 

   

  

Indirect Characterization

100

A character has a problem deciding what to do in a situation (usually within the character’s mind)

person vs. self

100

an appeal to what is felt (the emotions) 

pathos

100

The narrator is outside the story, but only tells the reader the thoughts,  feelings, and background of one or two characters

3rd person limited

200

the pairing of two things or concepts that are opposite of one another or highly contrasting  

juxtaposition

200

A character with a myriad of traits, some good, some bad, some sympathetic, some not

round or complex character

200

One character has a problem with another

person vs. person

200

The deliberate repetition of the first part of a sentence (repetition for emphasis)

anaphora

200

The story is told by one of the characters

first person or participant 

300

a logically self-contradictory statement or a statement that runs contrary to one's expectation. It is a statement that, despite apparently valid reasoning from true premises, leads to a seemingly self-contradictory or a logically unacceptable conclusion.

paradox

300

A character who changes in the course of the story; often, the protagonist of a story is a dynamic character.

dynamic or developing character

300

A character has a problem with a force of nature(avalanche, earthquake, heat,  etc)

person vs. nature

300

Pleasant word to replace harsher / more critical word:

ex: “He passed away…” instead of “He died.” 

euphemism 

300

The story is told by a narrator who is not a part of the story. The narrator is like god in that he or she can tell the reader about the thoughts, feelings, histories, and motivations of all of the characters

Non-participant or 3rd person omniscient 

400

The implied meanings of a word; the personal and cultural associations the reader has with the word

connotative meaning 

400

A sidekick whose purpose in the story is to reveal character traits about the protagonist or antagonist

foil

400

A character has a problem with an uncontrollable problem; fate or a supernatural force appear to be at work

person vs. fate

400

Asking a question and then directly answering it.

hypophora

400

Allows the narrator to record the action from his or her own point of view, unaware of any of the characters’ thoughts; narration is dispassionate and seeks to “report” the facts of the story

3rd person objective 

500

An expression or vocabulary that is usually part of informal conversations and settings, heavily influenced by geography and/or culture

Colloquialism

500

A protagonist who experiences an inner struggle because of a character flaw; the struggle ends in the defeat of the character. Ex: Othello 

A protagonist who experiences an inner struggle because of a character flaw; the struggle ends in the defeat of the character

500

A character has a problem with society (school, the law, the accepted way of doing things)

person vs. society

500

make an understatement by using a negative to emphasize a positive. Ex: “She’s NOT a bad singer…”

litotes

500

The narrator tells the story via his or her own thought exactly as they occur, all random and jumbled together.

stream of consciousness