Ted Shawn was recruited by _ brother to dance with her. Later on they got married in late 1914.
Ruth St Denis
_ joined Denishawn after seeing the way Ruth St Denis danced at a performance.
Charles Weidman
_ was performing at a show that Isadora Duncan watched. This inspired Duncan to move in the way _ did, which was more natural to the body.
Loie Fuller
Merce Cunningham made an appearance dancing alongside _ in a trio that Martha Graham had choreographed in 1948.
Paul Taylor
Jose Limon studied under _ company for a few years. He then left to create his own company and hired _ to be an artistic director
Doris Humphrey
After Alwin Nicholas opened up his own company in 1937. He decided to move to New York to get more training where he studied under _. He then assisted her for many years.
Hanya Holm
After Paul Taylor booked a show with _ where Taylor did creative aspects and _ did lighting, they continued to work together and dance together.
Alwin Nicholas
Hanya Holm studied under _ before joining her institute. _ then sent her to the United States to open up another company for her naming her the director.
Mary Wigman
Lots of _ moves were influenced by the way Loie Fuller danced. She was the first person to break away from classical ballet, which is the route _ followed.
Ted Shawn
Eric Hawkins went to train under _ and eventually married her in 1948. There divorce was then finalized in 1954 because he decided to leave her company.
_ joined the Martha Graham Company for a short period of time. Although, in this time she became one of Grahams principal dancers.
Anna Sokolow
Anna Sokolow's first dance class was taught by Elsa Pohl who trained under _ directly.
Isadora Duncan
After Doris Humphrey taught _ everything they know about lighting and stage management, the 2 went off to become a powerful team in performance creations.
Merce Cunningham
_ started studying dance in 1930 at the Humphrey-Weidman School and Company. Within no time, he became one of the companies leading dancers.
Jose Limon