Terminology
Terminology Part 2
Important People
Mass
100

A traveling performer from the south of France during the middle ages.

Troubadour

100

A traveling performer from the north of France during the middle ages.

Trouvere

100

Gregorian Chant is named after this person.

Pope Gregory I

100

This movement of mass comes first and is a praise chant. Often very melismatic in nature.

Kyrie

200

The meaning of Renaissance.

Rebirth, Reborn

200

A famous wooden string instrument during the Middle Ages and Renaissance.

The Lute

200

This woman of the Middle Ages is known for creating her own convent where women were free to worship, compose, and perform.

Hildegard von Bingen

200

This movement is in the middle of mass and is a prayer/ profession of faith. Often very syllabic in nature. 

Credo

300

This writing technique would often create imagery through how the text and musical lines of a piece interact.

Word Painting

300

An Italian love song, famous during the Renaissance, and sung a cappella. 

Madrigal

300

This Ars Nova era French composer is famous for his masses. Additionally, he was the first to publish a mass written entirely by one composer.

Machaut

300

This movement acts a hymn of praise, marking the start of the final protion of mass. Has a mixture of melismatic and syllabic material.

Sanctus

400

The medieval version of a scale. The type and name changes depedning on what note comes first.

Church Modes

400

This group of composers, based in Venice during the late Renaissance, focused primarily on new compositional techniques and the rise of instrumental music. 

The Venetian School

400

A celebrated Italian Renaissance composer, known for his expansive repertoire, most famously his Pope Marcellus Mass.

Palestrina

400

The final musical movement of mass. Sung during the breaking of bread. Contains both melismatic and syllabic material. 

Agnus Dei

500

This societal movement is the primary catalyst for the Renaissance. 

Humanism

500

This term refers to the original chant melody used in the tenor line of later versions of organum.

Cantus Firmus

500

The leading and most famous composer of the Venetian School. Known for "creating" the genre of instrumental music through his organ compositions. 

Gabrieli

500

The second musical movement of mass. A hymn of praise and often the most "musically complex" movement. 

Gloria