Light and Color
Lines and Shapes
Textures and Patterns
Principles of Design & More
Mediums
100
This is the path of a moving point.

Line

100

Artists use this to give the illusion of roundness or three dimensionality.

Modeling

100

Actual texture is experienced through this sense.

Touch

100

This is the opposite of unity.

Variety

100

Tempera paint is made with this ingredient.

Eggs

200

This type of line is not always obvious in the work. The viewer has to find it in their mind. 

Implied line

200

Colors next to each other on the color wheel are this scheme.

Analogous

200

This type of texture is the illusion of actual texture.

Visual

200

This is usually the first thing that captures the viewer's attention.

The focal point

200

Graphite is made up of carbon and this.

Clay

300

These types of lines are usually the most energetic.

Diagonal

300

Color cannot exist without this.

Light

300

A welcome mat made of nails demonstrates this type of texture. 

Subversive

300

When artists want to symbolize ideas in their work, they use this.

Iconography

300

This is mixed with a pigment to create paint.

Binding agent

400

There are formed when lines meet each other.

Shapes

400

This is another word for saturation.

Intensity

400

To create a pattern, you must use this Principle of Design.

Repetition

400

This generally refers to distinctive characteristics of art that are common to one specific era, culture, or grouop of artists.

Stye

400

A carved marble statue is an example of this type of sculpture.

Subtractive

500

This is an italian word that means to render lightness and darkness on a 2D surface.

Chiaroscuro

500

These colors are the result of mixing various shades of black and white.

Achromatic

500

This type of texture makes so reference to reality.

Invented

500

When comparing the size of two objects in a work, we are talking about this.

Scale

500

A piece of art that is part of the natural world is called this. 

Site Specific Art