FILM CREW
CAMERA
SETTING
ANGLES
LIGHTING
100

PRODUCERS 

 Finding and launching a project

100

POSITIONS

How far away from the ground it is

100

LOCATION

A particular place

100

LOW

Below eye level and faces up at you

100

HIGH KEY

It reduces the lighting ratio present in the scene

200

DIRECTORS 

Audition and cast actors

200

CLOSE UP

When it just shows your face

200

SET DESIGN

How it's created

200

HIGH

Looks down at you from above

200

LOW KEY

Drawing attention to serious subject matter, or the darker, emotional side to the story

300

SET DESIGNER 

Designing the scenery

300

MEDIUM SHOT

Taken from the waist up

300

COSTUMES

What they wear

300

EXTRA CLOSE UP

When it's very close to just one thing

300

CONTRAST

Makes it more tense 

400

SCREEN WRITERS 

Creates a story into a script

400

OVER THE SHOULDER

Over another persons shoulder and the camera faces you

400

COSMETICS 

Extra to the face or body

400

DUTCH 

When the camera is slanted more to the left or right 

400

BACK LIGHTING 

Dramatic contrast between the subject and the background

500

SCRIPT SUPERVISOR

Make sure each filmed scene makes sense in the end

500

LONG SHOT

Showing the entire area

500

PROPS

Things that are added to the scene 

500

EYE LEVEL

Positions the camera angle directly at the eye level

500

LIMBO LIGHTING 

Background of the set is lit to create the illusion of a solid-colored