Hindustani or Carnatic?
Musical Instruments Pt. 2
World Events
Middle Eastern Music Theory
Bollywood
200

The more improvised of the two.

Hindustani
200

The only instrument heard during the recitation of the Quran, due to its "Halal" nature. 

Voice

200

Middle eastern scale or mode, the most common being "rast."

Maqam

200

In addition to song, this choreographed art form can be found in most Bollywood films. 

Dance

400

Carnatic music places stronger emphasis than Hindustani on this instrument.

Voice

400


This lute-like instrument is the most popular in Middle Eastern music.

Oud

400

During the 1980s in the US, these structures were increasingly built due to Indian immigration.

Hindu Temples

400

Rhythmic mode, which repeats every measure.

Iqa

400

The region from which Bollywood gets its name, changed to Mumbai in 1995.

Bombay

600

Rhythmic cycles found in both musical regions of India.

Talas

600

This instrument was played by George Harrison on the 1965 song "Norwegian Wood," supposedly marking its western debut.

Sitar

600

This country achieved independence from the British in 1947.

India

600

This style of recitation of the Quran is more elaborate and embellished than murattal.

Mujawwad

600

These types of films blend nearly every major genre, and can be longer than average as a result. 

Masala

800

Carnatic music, being the more theoretically complex of the two, features around 36,000 of these.

Ragas

800

This Chinese fiddle-like instrument can be heard in both traditional and modern settings, and is featured in the Taiwanese-American band, The Hsu-nami.

Ehru

800

From 1966 to 1976, Mao Zedong led this social movement in China, which demonstrates the complexities of tradition vs innovation.

Cultural Revolution

800

These scale fragments can be thought of as the western "tetrachord."

Jin

800

Like Hollywood, Bollywood relies on these celestial figures to power or sell films.

Stars

1000

The "mood" of a raga

rasa

1000

The harmonium can be heard in this Hindu musical form, which features sanskrit chanting and vernacular hymns.

Bhajan

1000

During the 1960s, Ahmed Rushdi wrote this breakout hit, considered the "first pop song" from Pakistan. 

Ko Ko Korina

1000

This solo improvised form explores a maqam, and usually precedes a larger performance.

Taqsim

1000

Considered the Charlie Chaplin of Bollywood.

Raj Kapoor