Duration
Pitch
Dynamics & Expressive Techniques 1
Dynamics & Expressive Techniques 2
Texture & Tone Colour
100

Rhythmic groupings that divide the beat into an unusual number of pulses (e.g. triplets, duplets, quintuplets).

Irregular divisions

100

The identifiable home note of a piece of music that is not in a recognisable major or minor key, but still has a clear sense of tonality.

Tonal centre

100

The type of mallets used that are made of wire or nylon, that produce a softer, swishing sound that are common in jazz.

Brushes

100

An object used to strike a percussion instrument to produce its sound.

Mallet

100

The lowest of the three common female vocal ranges (F3 to D5)

Alto

200

A slow and solemn tempo marking, between 40 and 60 BPM.

Largo

200

Notes within a chord that are not a part of the triad or 7th chord (9ths, 11ths, 13ths)

Chord extension

200

A technique where a light touch halfway along a string length produces a higher pitch, often described as having a bell-like tone.

Harmonics

200

A particular part of the vocal range that creates a full, warm tone.

Chest voice

200

The instrument categorisation for those that produce sound through the vibration of a stretched skin.

Membranophone

300

A tempo marking meaning “lively” (155-175bpm)

Vivace

300

A harmonious sound (e.g. a 3rd, 6th, or perfect interval) that doesn't clash harmonically.

Consonant

300

Notes played smoothly and connected.

Legato

300

The technique of using the tongue to start and stop the airflow to articulate notes cleanly.

Tonguing

300

Music where two or more main melodic lines of equal importance play simultaneously.

Polyphonic

400

A tempo marking meaning slow, stately pace (66bpm - 76bpm)

Adagio

400

When two melodies are going in opposite melodic directions to each other at the same time (one ascends, the other descends)

Contrary motion

400

Marked, accented; notes are to be emphasised.

Marcato

400

Notes held for their full value; each note is slightly sustained.

Tenuto

400

Instrument categorisation for those that produce sounds from the material of the instrument itself. They may be struck/hit, scraped, shaken, or rubbed.

Idiophone

500

Sort the following tempo markings into order: Adagio, Allegro, Andante, Largo, Moderato, Presto, Vivace.

Largo, Adagio, Andante, Moderato, Allegro, Vivace, Presto

500

A chord made of stacked major 3rds (1, 3, #5).

Augmented chord

500

An electronic effect that creates a sweeping, swirling sound by splitting the signal and shifting the phase of one part.

Phaser

500

Technique term for string instruments playing with a bow.

Arco

500

A texture in which multiple voices or instruments perform their own embellished versions of the same melody simultaneously.

Heterophonic