Music Theory

Modes

100

G-A-B-C-D-E-F-G

Mixolydian

200

E-F#-G#-A#-B-C#-D#-E

Lydian

300

C#-D#-E#-F#-G#-A#-B-C#

Mixolydian

400

A-B-flat-C-D-E-flat-F-G-A

Locrian

500

G-A-B-flat-C-D-E-flat-F-G

Aeolian

Secondary D.

100

Key: F - V7/vi

A-C#-E-G

200

Key: G - V 4/3/ii

B-D-E-G#

300

Key: C - V65/V

F#-A-C-D

400

Key: D - V7/IV

G-B-D-F

500

Key: F : vii half dim/V

B-D-F-A

Intervals

100

C up to a B-flat

minor 7

200

G up to a D#

Augmented 5th

300

F down to an E-flat

Major 2nd

400

C# down to an E

Major 6th

500

C up a 13th

A

Vocabulary

100

A pick up note

Anacrusis

200

Cadence in minor where bass scales degrees are 6-5

Phrygian half cadence

300

Time signature of 3 but ties over bar line make it feel like it's in 2

Hemiola

400

When a melody moves up or down by step and keeps same rhythm

Melodic sequence

500

When a piece is in minor and ends with a raised 3rd at the end

Picardy 3rd

Triads/7th chords

100

Major-Minor

Dominant

200

C-E-flat-G-B-flat

minor

300

D-F#-A-C#

Major

400

F-A-C#

Augmented

500

G-B-flat-D-flat-F-flat

Fully diminished