Rhythm
Texture
Cadences
Part Writing
More Part Writing
Figured Bass
Scales
Melody things
100

When a dot is added to lengthen the note by half of its original value.

Dotted Rhythm

100

a repeated rhythmic and/or pitch pattern

Ostinato

100

Type of cadence that ends on V

Half Cadence

100

An octave that is approached by parallel motion in both parts from another octave. 

Parallel Octaves

100

Moving by half step

Chromatic Motion

100

Figured bass for a root position triad

5/3

100

 A scale only made up of whole steps

Whole Tone Scale

100

Any melodic interval of a 3rd

Skip

200

2 against 3 or 3 against 2

Cross Rhythms

200

Texture that is the same in rhythm and pitch without variation.

Monophonic

200

means second to last 

penultimate

200

A voice leading error when a voice goes higher or lower than another voice in an adjacent chord

Overlapping Voices

200

The distance between each voice part in part writing

Spacing

200

 figured bass for third inversion seventh or chordal seventh as the lowest note

4/2

200

 A scale that is made up of 5 notes. 12356 or minor 61235

Pentatonic

200

Intervals that are made by playing one note after another.

Melodic Intervals

300

Off the beat rhythms

Syncopation

300

1 5 3 5 pattern in the bass

Alberti Bass

300

A cadence that resolves from a V to a vi or in minor from a V to a VI instead of resolving from V - I or in minot V - i.

Deceptive Cadence

300

Tones/pitches that need to resolve in a certain direction every single time in part writing.

Tendency Tones

300

A 5th approached in parallel motion from another 5th

Parallel 5th

300

second inversion seventh chord, the chordal 5th is the lowest note (seventh chord version of a 6/4

4/3

300

Name for scale degree 5 

Dominant

300

Intervals whose notes are played simultaneously

Harmonic Intervals

400

The frequency/rate in which the chord changes in a musical example

Harmonic Rhythm

400

two or more voices singing/playing together, but singing different pitches and different rhythms.

Polyphony

400

A cadence that ends on one, but does not adhere to strict cadence guidelines.

Imperfect Authentic Cadence (IAC)

400

A 6/4 chord whose lowest note is approached by step and left by step in the same direction.

Passing 6/4

400

Melody that is opposite to the main melody and happens at the same time as the melody.

Countermelody

400

first inversion seventh chord, the chordal third is on the bottom

6/5

400

A scale degree of a lowered 7th

Subtonic

400

When the musical idea changes pitch level, but still retains its identity.

Motivic Transposition

500

a duple rhythm over an underlying triple meter.

Hemiola

500

The bass is stepping in one direction toward a chord

Walking Bass

500

A name for the 6/4 chord in this progression I6/4 V I 

Cadential 6/4

500

 IV iv ii ii65 iio

Predominant Function Chords

500

A voice leading error when a voice goes higher or lower than another voice in the same chord.

Voice crossing

500

first inversion triad

6/5

500

The minor key that has the same name as the major key, but they will have different key signatures

Parallel Minor

500

A musical line that is mostly made up of stepwise motion.

Conjunct Motion

600

When a triple rhythm is played over an underlying duple meter.

Triplet

600

two or more parts singing or playing the same rhythms and pitches, but they vary from each other slightly in a few parts either mostly in ornamentation.

Heterophony

600

A cadence that ends in some form of V I whose soprano notes must resolve down to 1 by step and both chords must be root position. 

Perfect Authentic Cadence

600

A 6/4 chord that has the same lowest note as the chord proceeding and following.

Neighbor or Pedal 6/4

600

V V7 viio viio7

Dominant Function Chords

600

second inversion triad

6/4

600

Minor scale with a raised scale degree 7

Harmonic Minor

600

 any melodic interval larger than a 3rd

Leap

700

Two or more parts playing or singing at the same time, same rhythm, but different pitches.

Homophonic

700

I i VI vi iii III

Tonic Function Chords

700

The only chord tone that can be omitted and still lets the chord function.

The 5th

700

Root position 7th chord

7/5/3

700

minor scale that has a raised scale degree 6 and 7 ascending and then lowered on the way back down.

Melodic Minor

700

Any interval larger than an octave

Compound interval

800

Each part of the texture is echoing either at a different pitch level or the same, but not at the same time. Canon is an example of this type of texture.

Imitative Polyphony

800

a voice leading error when a dissonant interval like a tritone is sound melodically from one chord to another adjacent chord in the same voice or in different voices.

cross relation

800

a 6/4 chord that’s lowest note is of the same chord as the chord proceeding and following.

Arpeggiated 6/4

800

A musical idea

Motive

800

a musical line that is mostly made up of skips and leaps

Disjunct Motion