Character Types
Popular Musicals
Origins of Theatre
Types of Musicals
Plot Points
100

The character type whose evil actions or motives are important to the plot.

Villain 

100

The popular 1776 musical about the Revolutionary War

Hamilton

100

The number of Acts that is typical for a musical theatre show

Two
100

The concept or message is just as, if not more important that the story.

Concept Musical

100

The highest point of tension in a musical

Climax

200

The character type that offsets more serious sections

Comic Relief

200

The musical which depicts a ghoulish American family with an affinity for all things spooky.

The Addams Family

200

The person who designs the dancing for the show

Choreographer

200

Music using only songs from a particular group or artist

Juke Box Musical

200

The part of plot where the conflict is introduces

Rising Action

300

The person who delivers a commentary accompanying a musical

Narrator

300

A thief falls in love with an Arabian Princess

Aladdin

300

Someone who excels at singing, dancing, and acting

Triple Threat

300

Story told using little to no dialogue and containing only pop music

Pop Opera

300

The part of the show in which everything the audience needs to know to understand the musical is explained (Characters/Relationships/Setting/Time Period)

Exposition

400

A group of supporting entertainers, as actors, dancers, and singers, in a theatrical production. Usually the "background" people

Ensemble

400

An overnight celebrity leads to social change for integration of racial relationships and body acceptance.

Hairspray

400

The person who designs and teaches actors their interpretation for the music and staging of a show

Director
400

A collection of songs, generally with some common element

Revue Musical
400

Where the musical begins in relation to the story

Point of Attack

500

The character type best described as the "ladies man" 

Cassanova

500
NYC artists struggle to make ends meet and suffer from the AIDS epidemic

RENT

500

The original musical theatre composers that transitioned from Operettas to Musical Comedy- Popular for "The Pirates of Penzance"

Gilbert and Sullivan

500

Traditional music with a strong story that drives the music and the characters

Book Musical

500

What happens in the story line before the musical beings

Antecedent Action