EUROPEAN CINEMA
LATIN AMERICAN CINEMA
ASIAN CINEMA
CONCEPTS
VARIA
100

A postmodern European filmmaker who is critical towards totalizing ideologies that usually derive from the West

Lars von Trier

100

The title of the story/short film that opens Wild Tales (Szifron, 2015)

"Pasternak"

100

Which Singaporean films usually succeed overseas?

The fims that show “the dark side to Singapore’s road to economic modernization, the failed processes of an Asianized modernity“

100

Type of allegory, story within the story. It usually conveys some “moral thesis” or exemplifies some “principle of human behavior”

Parable

100

Which topic comes after Asian cinema in your course syllabus?

Australian cinema

200

An European film director whose films and filming techniques are inspired by paintings

Roy Andersson

200

A character from Babenco's film that is “neither monster nor victim" but "an urban survivor denied the luxury of conventional morality.”

Pixote

200

Name at least three characteristics of Bhutanese oral storytelling

Ghost, spirits, demons 

Indefinite time-frame 

Place plays central role 

Buddhist influences 

Interactive filmwatching

200

Define slang images in film 

Slang images portray the socially marginalized as the legitimate representation

200

Mila Kunis' country of origin

Ukraine

300

The main theme of Bergman’s Academy Award film, Virgin Spring

Vengeance

300

Name one of the underlying themes of Wild Tales (Szifron, 2015)

Clash between Argentinian rich and poor

Class struggle

Revenge

Violence

300

Which message was hidden in the parable presented in Travellers & Magicians?

 Desire is the root of our suffering.

300

A framework/theoretical approach that allows us to analyze film as a product of many varied economies (international financing and personnel, cross-cultural influences, etc.)

Transnational cinema


300

Titles of the two required textbooks for class

Storytelling in World Cinemas (Lina Khatlib, ed.)

World Cinemas, Transnational Perspectives (Nataša Durovicová and Kathleen E. Newman, eds.).

400

What is portrayed in the opening scene of The World of Glory (Andersson, 1991)?

 “Ethnic cleansing” aka “final solution”

400

The film that challenges the concept of “change” as the articulation of capitalist social economy, of inclusion and exclusion?

Chronically Unfeasible (Bianchi, 2000)

400

Which principle of Buddhism does the film, 6 Boys present?

Compassion towards nature

400

Phenomenon that provides some measure of comfort to American audiences who can understand alienation and dispossession because they are experiencing their own version of this

"International fraternity of the lost"

400

The origin country of original Godzilla film 

Japan (Gojira, 1954)

500

The first Estonian film that was nominated for Academy Awards

Tangerines (Urushadze, 2014)

500

In what context do Pixote (Babenco, 1981) and Chronically Unfeasible (Bianchi, 2000) discuss life in Brazil?

Economic and social class

500

How does the mode of film production & distribution in Bhutan differ from that of the Hollywood production?

Films are toured around cinema halls (producer–exhibitor) and not released in DVDs to protect against piracy.

500

Name at least 3 characteristics of postmodernism

Destruction

Rejection of master narratives

Hyper-reality

De-centered self, multiple identities 

Irony

Fragmentation

Loss of control

500

Which is the highest grossing movie of all time?

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