Camera Work
Abbreviations
Transitions
Shots
Script
100

The camera moves across something;

PAN

100

The position from which an action of subject is seen, often determining its
significance.

P.O.V. (Point Of View)

100

An editing transition whereby an image gradually disappears on the screen; usually a film
script ends with this

FADE OUT

100

A shot from a distance that establishes the location; it shows the viewer where we are

ESTABLISHING SHOT

100

Used as a transition or at the start of the slug line to indicate a sequence that happened in
the past; may be followed by BACK TO PRESENT DAY

FLASHBACK

200

What the camera sees, and there are specific types.

ANGLE ON

200

The voice of someone not seen in the image who is describing or commenting on the
image that is taking place; often this is the character’s thoughts not said out loud

V.O. (Voice Over)

200

An editing transition whereby an image gradually appears on the screen; usually a
film script begins with this.

FADE IN/FADE OUT

200

A shot description that strongly suggests a close-up on some object, action, or person (an expressive body part such as the face, or a fist).

CLOSE ON

200

Direction for the actor to deliver their lines in a particular way; ex: (calmly) or (softly)

PARENTHETICAL
300

A camera built to remain stable while being moved, usually by human hands. Occasionally, seen in scripts to suggest a handheld shot be used in a scene.

STEADICAM

300

Can refer to spoken dialogue, but the person speaking is not "in the shot;"

O.C./O.S. (Off-camera/Off-screen)

300

This is like a "Fade to black then Fade to next scene." In other words, as one scene fades out, a moment of black interrupts before the next scene fades in.

CROSSFADE

300

Means the camera is placed very close to the subject or action. Generally, this term would be left out of a screenplay and left to the director to decide. Use only when necessary.

EXTREME CLOSE UP

300

Used to suggest that an actor should pause before continuing; “beat” will be placed in
parentheses – ex: (beat)

BEAT

400

The image seems to close in on a person or object making the person or object appear larger (or smaller) on screen.

ZOOM

400

Describes anything happening in the background of the scene

b.g. (background)

400

Transition whereby the action cuts between two action scenes to suggest that the action is happening at the same time.

CROSSCUT

400

Means the camera is placed a very long distance from the subject or action. Generally, this term would be left out of a screenplay and left to the director to decide. Use only when necessary.

EXTREMELY LONG SHOT

400

The scene takes place outdoors

EXT.

500

A mechanism on which a camera can be moved around a scene or location. Simple dollies involve a tripod on wheels.

DOLLY ZOOM

500

Indicates a shot that focuses in closely on a particular subject, character, or action

C.U. (Close-up)

500

A transition where the screen flashes to white before entering the next scene, often used to transition into dream or fantasy sequences.

FLASHCUT

500

A particular character or action is highlighted or "favored" in a shot. The focus is basically centered on someone or something in particular. Use only when necessary.

FAVOR ON
500

The scene occurs in is indoors

INT.