Documentary style/Shooting on location
This 1980 sci-fi horror film was not a documentary but called attention to similar messages in documentaries such as those about Taranto
Nightmare City
The style of documentary that voices multiple people in its storytelling
Narrative documentary
The two female filmmakers who directed this documentary
Cecilia Mangini and Mariangela Barbanente
"Good morning Vietnam!"
"Perdono" has multiple meanings in Italian, give at least 2
"pilgrim" "pardon" "forgiveness" "absolution" or "relief"
What a director is presumed to have already made before filming
The era that sparked Italian neorealism in film
The use of ______ made this documentary the most historically rooted
Archival footage
The framing device Pisanelli uses in his documentary
A web radio show
Dioxin
This is offered to Taranto through making documentaries/movies shot on location
Economic support
This national public broadcasting company produced ties between the documentary genre and state-sponsored formulations of national identity
What Mangini and Barbanente seek to understand through their film
The community's ethos
"One of the most charming groups of speakers" that Pisanelli films according to Seger
A group of young, local boys
These two figures/people frame the film's narration
According to David Ingram and Greg Smith, this is established between a viewer and the protagonist through music, lighting, and color
An emotional relationship
The link between industry and ______ is shown through these ecocritical documentaries
This documentary explored the transition of _______ to _______
Field to factory
True or False: Buongiorno Taranto creates a path forward for Taranto that is dynamic and collaborative
True
Viewers are offered this by the film's suggestion of the possibility of destruction at the end
An imaginative space to contemplate a future without Ilva