Characters
Which Act?
Parts of an Essay
Staging a Play
Critical Perspectives
100

The leading man, he is an outsider due to his racial difference and lower status


Othello

100

Othello, Desdemona, Emilia, and Roderigo all tragically die


Act 5

100

The first statement of a body paragraph - it presents your main idea


Topic sentence

100

Conversation between two characters


Dialogue

100

How the reader feels after consuming a text


Reader Response Criticism

200

The daughter of Brabantio


Desdemona

200

Othello presents a passionate defense of how he and Desdemona fell in love


Act 1

200

Proof that you find from the text


Evidence

200

The internal thoughts of one character, that only the audience can hear 


Aside (soliloquy is acceptable)

200

Analyzing a text based on ethnicity, religion or customs 


Cultural criticism

300

A Master Manipulator


Iago

300

Othello and Iago create a blood pact to end both Cassio and Desdemona for their "adultery"


Act 3

300

The explanation of evidence and the connection back to your arguments


Analysis

300

A long speech by one character in a play


Monologue 

300

Analyzing a text based on power dynamics between men and women


Feminist criticism

400

A handkerchief thief


Emilia

400

Iago, Cassio, Emilia, and Desdemona discuss the true nature of women


Act 2

400

The official term for words like "finally,"  or "first"


Transitions

400

A group of actors who are in the play and describe and comment on actions occurring throughout


Chorus

400

Analyzing a text based on social class or status 


Marxist Criticism

500

The former governor of Cyprus, until Othello comes to take his place


Montano

500

Othello sees the handkerchief in Cassio's hand, confirming his suspicions


Act 4

500

The main argument of your entire essay, usually just one sentence long


Thesis Statement

500

The movements of the actors on the stage, where they are positioned


Blocking

500

Analyzing a text based on the original or typical example of a character or thing


Archetypal Criticism