Harmony (Ch. 6)
Key (Ch. 7)
Musical Texture & Form (Ch. 8 & 9)
Performance (Ch. 10)
Musical Style Periods (Ch. 11)
100

A combination of three or more tones sounded at once.

Chord

100

do re mi fa so la ti do (WWHWWWH)

Major Scale

100

This creates a sense of unity.

Repitition

100

The written piece of music.

The score

100

The time period that is 1900-current (now)

20th Century

200

A tone combination that is unstable.

Dissonance

200

la ti do re mi fa si la (WHWWHWH)

Minor Scale

200
This provides variety.

Contrast

200

The leader of a group of musicians.

The conductor

200
The time period from 450-1450.

The Middle Ages

300

A tone combination that is stable.

Consonance

300

The basic pitches of a piece of music arranged in order from low to high/high to low.

Scale

300

"One sound" - the texture of a single melodic line.

Monophonic

300

The principal first violinist.

The Concertmaster

300

The time period from 1450-1600.

The Renaissance

400

When dissonance moves to consonance.

Resolution

400

This consists of sharp or flat signs at the beginning of a piece of music that indicate the key.

Key Signature

400

"Many sounding" - several melodic lines compete for attention.

Polyphonic

400

This person's job is to bring life to the printed symbols laid out by the composer.

The performer

400

The time period from 1600-1750.

The Baroque Period

500

Individual tones of the chord are sounded one after the other.

Arpeggio

500

This is based upon the central tone of the music.

Key

500

When we hear one main melody accompanied by chords.

Homophonic

500
An artist of extraordinary technical mastery.

Virtuoso

500

The time period from 1750-1820.

The Classical Period