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Forms
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100

Main idea or subject plus the author’s opinion (note: it is NEVER just one word; it is ALWAYS a phrase or statement)

Theme 

100

Poetry that is free from limitations of a regular meter or rhythm and does not rhyme with fixed forms but still provides artistic expression.

Free verse 

100

A grouped set of lines in poetry.

Stanza 

100

The repetition of consonant sounds at the beginning of words.

Alliteration 

100

A specific type of alliteration that uses the soft consonants. In sibilance, the sibilant or hissing sounds are created.

Sibilance 

200

Through the observation of facts presented in a particular pattern, one ultimately sees different or new interpretations and perspectives.

inference 

200

A form of poetry that is usually 14 lines which are formed by three quatrains typically using a rhyme scheme of abab cdcd efef and ending with a rhyming couplet for the last two lines. Sonnets are typically associated with love.

Shakesperian sonnet 

200

The use of any element of language - a sound, word, phrase, clause, or sentence - more than once with a structural intention.

Repetition 

200

When two or more words close to one another repeat the same vowel sound but start with different consonant sounds.

Assonance 

200

A word which imitates the natural sounds of a thing.

Onomatopeia 

300

A meaning, an idea or feeling which a word invokes for a person in addition to its literal or primary meaning.

Connotation 

300

A form of poetry that is long, often book-length, narrative in verse form and usually retells the heroic journey of a single person, or group of persons.

Epic 

300

The deliberate repetition of the first part of the sentence in order to achieve an effect. Anaphora, possibly the oldest literary device, has its roots in Biblical Psalms used to emphasize certain words or phrases.

Anaphora 

300

A figure of speech which makes an implicit, implied, or hidden comparison between two things that are unrelated but share some common characteristics. In other words, a resemblance of two contradictory or different objects is made based on a single or some common characteristics.

Metaphor 

300

A figure of speech that makes a comparison, showing similarities between two different things.

Simile 

400

The running-over of a sentence or phrase from one poetic line to the next, without terminal punctuation.

Enjambment 
400

Narrative poetry is a form of poetry that tells a story, often making the voices of a narrator and characters as well; the entire story is usually written in metered verse. Narrative poems do not have to follow rhythmic patterns.

Narrative 

400

A stanza of four lines, especially one having alternate rhymes.

Quatrain 

400

A device in which two opposite ideas are put together in a sentence to achieve a contrasting effect.

Antithesis 

400

A figure of speech in which a thing, an idea, or an animal is given human attributes. The non-human objects are portrayed in such a way that we feel they have the ability to act like human beings.

Personification 

500

A stop or pause in a line, often marked by punctuation or by a grammatical boundary, such as a phrase or clause.

Caesura 

500

A poem in which an imagined speaker addresses a silent listener, usually not the reader and reveals her/himself and/or inner thoughts and the dramatic situation.

Dramatic monologue 

500

A literary device that demonstrates the long and short patterns through stressed and unstressed syllables.

Rhythm 

500

the use of symbols to represent ideas or qualities.

Symbolism 


500

A figure of speech in which two opposite ideas are joined to create an effect.

Oxymoron