Right of Publicity Basics
Likeness and Identity
Parody and First Amendment
Commercial Use and Liability
Hypos
100

This case held that a work of fiction cannot violate a plaintiff’s privacy or be defamatory.

What is Polydoros v. Twentieth Century Fox?

100

In White v. Samsung, the court held that using this to evoke Vanna White constituted appropriation of her identity:

What is a robot resembling her image?

100

The court in Cardtoons held that parody of public figures is:

What is generally protected under the First Amendment?

100

Hallmark attempted to defend its card under this First Amendment argument.

What is transformative use and public interest?

100

A cartoonist draws a comic strip featuring a superhero with a catchphrase strikingly similar to a famous athlete’s, but the character is clearly fictional. The comic is sold commercially. Could the athlete sue for right of publicity?

What is no, because parody of a fictional character is generally protected and not a market substitute for the real athlete (Cardtoons)?

200

The right of publicity protects against unauthorized commercial use of a person’s:

What is identity, including name, likeness, voice, and other recognizable traits?

200

This case recognized that parody cards depicting baseball players could be protected speech, even if they used the player’s name or likeness:

What is Cardtoons v. MLBPA?

200

parody is unlikely to conflict with publicity rights if it is:

What is not a market substitute for the real thing?

200

The rule from White v. Samsung shows that advertisers cannot evade liability by using:

What are thinly veiled imitations instead of literal likeness?

200

A movie portrays a character with the same name, hometown, and unusual habits as a living person, but the story is entirely fictional. The person claims invasion of privacy. Likely outcome?

What is the claim fails because a purely fictional work cannot violate privacy or be defamatory (Polydoros)?

300

Using a celebrity’s identity for commercial gain without consent constitutes:

What is misappropriation of the right of publicity?

300

A celebrity’s identity may be appropriated through non-literal means, such as:

What are catchphrases, symbols, or context?

300

In Hilton v. Hallmark, a jury could reasonably find the card non-transformative because it:

What is closely mimicked the celebrity’s likeness and phrase without significant alteration?

300

In Hilton, a greeting card using a celebrity’s likeness is actionable because it is for:

What is commercial exploitation rather than news or commentary?

300

A company creates a robot resembling a famous TV host to sell home appliances. The host sues for misappropriation of identity. Court’s likely ruling?

What is the host likely wins because identity can be appropriated through non-literal likeness, symbols, or context (White v. Samsung)?

400

In determining publicity rights, courts consider whether the use is for news, reporting, or entertainment, which may implicate this defense:

What is the public interest defense?

400

In determining if commercial use is actionable, courts examine if the likeness is:

What is used for commercial advantage without consent?

400

The First Amendment does not protect unauthorized commercial use in products that are not:

What is news, reporting, or expressive art?

400

Courts look at whether the use of identity causes:

What is injury or commercial harm without consent?

400

Hallmark releases a birthday card showing a celebrity’s face on a cartoon body using their trademarked catchphrase, claiming it’s transformative. The celebrity sues. Likely ruling?

What is the celebrity likely prevails because the card closely mimics the celebrity without adding significant creative expression, and is for commercial use (Hilton v. Hallmark)?

500

This test asks whether a work is protected under the First Amendment by adding significant creative elements to a celebrity’s likeness:

What is the transformative use test? (Hilton v. Hallmark)

500

In Polydoros, no right of publicity claim existed because the movie was:

What is a fictional work?

500

This case clarified that parody or humorous depiction must add creative expression to the celebrity’s identity to qualify as:

What is transformative use?

500

A  work, like The Sandlot, is less likely to violate publicity rights because it is:

What is fictional and not intended for commercial exploitation of the individual?

500

An online game uses caricatures of real-life basketball players with exaggerated features and humorous nicknames. The game is sold commercially. Could the players successfully claim right of publicity violations?

What is unlikely, because parody that adds creative expression and is not a market substitute for the real players is generally protected (Cardtoons and transformative use principle)?