Government
Medieval People
Roman People
Roman Plays
Medieval Plays
Medieval Staging
Roman Buildings
100

Half of the population who served the upper classes

Slaves

100

Producers that supervised the mounting of plays on wagons

Pageant Master

100

Studied literary criticism and explored philosophies; noted orator; All his plays were based on Greek myths; Utilizes a chorus, emphasizes violent spectacle with climactic onstage moments

Seneca

100

Comedies that dealt with Roman issues

Fabula Togata

100

Stories connected to biblical figures and the lives of saints

Mystery Play

100

Small scenic mansions side by side

Stationary Staging

100

A large raised stage in front of the scaena

Pulpitum

200

Controlled large areas of land and protected less wealthy land owners

Lords/Counts

200

The head of a troupe who was usually the leading actor

Dominus

200

Tragedies with Greek subjects

Fabula Crepidata

200

Short dramas presented as part of a sequence

Cycle Play

200

A scenic structure depicting some locale needed for a biblical tale

Mansion

200

Passageways that came from under the seating area and led to the orchestra and stage

Vomitoria

300

Ordinary citizens with limited political voice

Plebeians

300

Religious guilds or clubs that presented cycle plays to display their trade or craftsmen abilities

Confraternities

300

Playwright that stressed characterization, subtlety of expression, and elegant language; combined elements from two Greek plays to create a new work

Terence

300

Improvised bits of comedy that featured stereotypical characters, used masks and stock costumes

Atellan Farce

300

Drama that was transformed from Latin to everyday speech  

Vernacular Drama

300

Pageant wagons that moved from locale to locale

Processional Staging

300

The skene

Scaena

400

Lesser lords with lands; agreed to provide military service in exchange for protection.

Vassals

400

Actors; 6 male members

Historiones

400

Tragedies that are purely Roman

Fabula Praetexta

400

A play that teaches a moral lesson through the use of allegorical characters

Morality Play

400

A central open space specific to Medieval theatre

Platea

400

Semi-circular space rather than full circular

Orchestra

500

Peasants who were attached to the land and required to work; minimal payment

Serfs

500

Placed great emphasis on religious festivals; chariot races, gladiatorial battles, prizefighting, and other competitive sports

Etruscans

500

Theatrical piece staged between courses of a banquet either in farcical, religious, or musical forms

Interlude

600

The rich upper class

Patricians

600

Traveling performers; comedic skits, acrobatics, dance, simulated battles, etc.

Troupes

600

Choice, urbane, talented, and witty playwright who wrote to entertain; his plays most resemble musical comedies

Plautus

600

A festival in honor of the god, Jupiter

Ludi Romani

600

Two groups responding to each other in song, suggesting dramatic interaction with extended musical passages; presented by the clergy

Liturgical Drama

600

Wagons that could be rolled into a town or nearby field; served as a stage, contained scenery, and had backstage area for costume changes

Pageant Wagons

600

The theatron

Cavea