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100

A festival in honor of the god, Jupiter

Ludi Romani

100

Ordinary citizens with limited political voice

Plebeians

100

Actors; 6 male members

Historiones

100

Religious guilds or clubs that presented cycle plays to display their trade or craftsmen abilities

Confraternities

100

Wagons that could be rolled into a town or nearby field; served as a stage, contained scenery, and had backstage area for costume changes

Pageant Wagons

200

Playwright that stressed characterization, subtlety of expression, and elegant language; combined elements from two Greek plays to create a new work

Terence

200

Pageant wagons that moved from locale to locale

Processional Staging

200

Two groups responding to each other in song, suggesting dramatic interaction with extended musical passages; presented by the clergy

Liturgical Drama

200

The head of a troupe who was usually the leading actor

Dominus

200

Producers that supervised the mounting of plays on wagons

Pageant Master

300

Short dramas presented as part of a sequence

Cycle Play

300

Tragedies with Greek subjects

Fabula Crepidata

300

Lesser lords with lands; agreed to provide military service in exchange for protection.

Vassals

300

Tragedies that are purely Roman

Fabula Praetexta

300

Comedies that dealt with Roman issues

Fabula Togata

400

Traveling performers; comedic skits, acrobatics, dance, simulated battles, etc.

Troupes

400

Studied literary criticism and explored philosophies; noted orator; All his plays were based on Greek myths; Utilizes a chorus, emphasizes violent spectacle with climactic onstage moments

Seneca

400

Improvised bits of comedy that featured stereotypical characters, used masks and stock costumes

Atellan Farce

400

Stories connected to biblical figures and the lives of saints

Mystery Play

400

A scenic structure depicting some locale needed for a biblical tale

Mansion

500

Semi-circular space rather than full circular

Orchestra

500

A central open space specific to Medieval theatre

Platea

500

Peasants who were attached to the land and required to work; minimal payment

Serfs

500

A large raised stage in front of the scaena

Pulpitum

500

Choice, urbane, talented, and witty playwright who wrote to entertain; his plays most resemble musical comedies

Plautus

600

A play that teaches a moral lesson through the use of allegorical characters

Morality Play

600

Passageways that came from under the seating area and led to the orchestra and stage

Vomitoria

600

Small scenic mansions side by side

Stationary Staging

600

Theatrical piece staged between courses of a banquet either in farcical, religious, or musical forms

Interlude

600

The theatron

Cavea

700

The skene

Scaena

700

Drama that was transformed from Latin to everyday speech  

Vernacular Drama

700

Placed great emphasis on religious festivals; chariot races, gladiatorial battles, prizefighting, and other competitive sports

Etruscans

700

The rich upper class

Patricians

700

Half of the population who served the upper classes

Slaves