Camera Angle
dialogue
events
setting
Camera Angle 2
100

P.O.V

point-of-view; the position from which an action of subject is seen, often determining its significance. Ex: Jeff's POV, it means "what Jeff sees" (the camera shows us what Jeff sees)

100

O.C./O.S.

off-camera/off-screen; can refer to spoken dialogue, but the person speaking is not "in the shot;" they are off-screen, but we hear it anyway

100

flashback

used as a transition or at the start of the slug line to indicate a sequence that happened in the past; may be followed by BACK TO PRESENT DAY

100

EXT.

exterior setting: the scene takes place outdoors

100

CUT TO or DISSOLVE TO

simply a change in scene. We can either quickly "cut" to a new scene (immediate), or we can "dissolve"-- a slow blackening of the screen, followed by a slow re-lighting in the new scene

200

C.U

Close-up; indicates a shot that focuses in closely on a particular subject, character, or action

200

V.O

voice-over; the voice of someone not seen in the image who is describing or commenting on the image that is taking place; often this is the character’s thoughts not said out loud

200

montage

a series of shots, usually without dialogue, which quickly tells a section of the story. In Rocky, when Rocky goes through his training for the championship fight in a training montage -- we see (push-ups, pull-ups, running, sparring, etc.) a series of shots which condense time (these all occur over a two-week period in real time) down to a few seconds or minutes on screen

200

INT.

interior setting: the scene occurs in is indoors

200

FADE IN/FADE TO

an editing transition whereby an image gradually appears on the screen; usually a film script begins with this

300

Pan

the camera moves across something; whip/swish/flash pan is when the camera moves quickly across something; a slow pan is when the camera moves slowly across something. Ex: "We PAN down a row of baseball players on the bench.", the camera moves down the row of players

300

Beat

used to suggest that an actor should pause before continuing; “beat” will be placed in parentheses – ex: (beat)

300

action

scene description, character movement, and sounds described in the screenplay

300

b.g

background; describes anything happening in the background of the scene

300

FADE OUT

an editing transition whereby an image gradually disappears on the screen; usually a film script ends with this

400

Angle On

means what the camera sees, and there are specific types. For example, ANGLE ON TOMMY means we see Tommy on the screen. HIGH ANGLE means the camera is above the subject and LOW ANGLE means the subject is shot from below

400

Parenthetical

direction for the actor to deliver their lines in a particular way; ex: (calmly) or (softly)

400

character

the character’s name appears in ALL CAPS the first time the character appears; whenever a character speaks, their name appears in ALL CAPS

400

slug line

the text in ALL CAPS at the beginning of a scene that described the location and time of day; slug lines are always short and direct and begin with either “INT.” or “EXT.”, ex: INT. BEDROOM - NIGHT

400

Shot

one image; there are many, many, many different types of shots

500

Establishing Shot

a shot from a distance that establishes the location; it shows the viewer where we are

500

scene

an event that takes place in one location or time; every time you change location or time it’s a new scene; scenes are indicated by slug lines

500

E.C.U

extreme close-up