Misc.
At the basic level of observation, a hair sculpture can be identified by observing the outer boundary or sillhouette known as the:
form line
Trimmer/Edger
The hair below the crest area.
Exterior
A diagram that provides an abstract view of the length arrangement to scale and proportion.
Structure Graphic
A constant, stable guide to which all lengths are directed.
Stationary Design Line
Type of projection created with a 45 degree angle.
medium
Cutting tool used to create a clean, blunt edge.
Shears
The hair above the crest area.
The angle at which the hair is held in relation to the curve of the head prior to sculpting.
Projection/Elevation
To build weight while sculpting, project the hair below this projection angle.
90 degrees
Infection control procedures including sweeping and disposing of hair clippings should be done prior to performing this service.
Air Forming Service
Thumb Grip
The widest area of the head.
Crest Area
Dividing the hair into workable areas for control.
Sectioning
Lines that curve inward, like the inside of a sphere.
Concave
Two types of finger and shear positions used while cutting.
Parallel & Nonparallel
Shears that consist of one straight blade and one notched blade.
Taper Shears
The highest point of the head.
Apex
A movable guide that consists of a small amount of previously cut hair.
When cutting the hair, add additional length in this area to accommodate a growth pattern such as a widow’s peak, cowlick or whorl.
The growth pattern area.
Creates an uneven effect when cutting hair.
Partly wet & partly dry hair
Creates tapered ends, a softer appearance to the hair and a diffused form line.
Razors
Protruding bone below the crest area at the back of the head.
Occipital
The arrangement of lengths across the curves of the head.
Structure
Guidelines to consider when sectioning for a hair sculpture.
Hair density, positioning of clips and natural growth patterns.