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100

The main idea or underlying meaning of a literary work. In works of fiction, is it the abstract concept which is made concrete through its representation in person, action, and image.

Theme

100

Any object, person, place, or action that has a meaning in itself and that also stands for something larger than itself such as a quality, attitude, belief, or value.

Symbol

100

The attitude a writer takes toward his or her subject, characters, or audience.

Tone

100

A situation in which there is a contrast between expectation and reality.

Irony

200

The emotional response the story creates within the reader.

Mood

200

The use of hints or clues in a narrative to suggest what will happen later.

Foreshadowing

200

The method the author uses to acquaint a reader with the characters through direct statements or details.

Characterization

200

Literary and theatrical device in which the reader or audience knows more than the characters they are following.

Dramatic Irony

300

The struggle which grows out of the interplay of the two opposing forces in a plot. Can be internal or external.

Conflict

300

The emotional associations surrounding a word, as opposed to the literal meaning of the word.

Connotation

300

A character, incident, idea, or object that recurs in various works or in various parts of the same work.

Motif

300

The speaker says one thing, but they really mean another. 

Verbal Irony

400

Following along with one character and tends to view events from that person's perspective.

3rd person Point of View - Limited

400

The thoughts and actions of any or all of the characters as needed.

3rd Person Point of View - Omniscient

400

A narrative in which characters, action, and sometimes setting represent abstract concepts apart from the literal meaning of the story. The underlying meaning has moral, social, religious, or political significance, and the characters are often personifications of the abstract idea.

Allegory

400

When the outcome of a situation is contrary to or different from what is expected.

Situational Irony

500

The author's choice of words or phrases in a literary work. This involves both connotation and denotation.

Diction/ Syntax

500

Placing two unrelated things next to each other to highlight their differences. This technique is a subtle way to encourage the reader to compare and contrast two or more elements in a story: characters, settings, events, moods, and more.

Juxtaposition

500

The way in which a story is organized and presented to the reader or audience. It includes the elements of plot, character, setting, and theme, as well as the techniques and devices used by the author to convey these elements.

Narrative Structure

500

A literary device that contradicts itself but contains a piece of truth.

Paradox