Definitions
Big Conventions
Subgenres
What Characters Do
Style and Vibes
100

A category or classification of films that share similar subject matter, setting, iconography, and narrative and stylistic patterns is known as this

Genre

100

This is a genre of movie that features outsiders experiencing and expressing heightened emotions communicated through close-up shots and an increasingly confining mise-en-scène

Melodrama

100

This is a subgenre of the musical that uses cartoon figures and stories to present songs and music

Animated musical

100

In the melodrama, characters cry to express their emotions. In a musical, they do this

Sing and dance
100

If a film displayed significant anxieties about the development of artificial intelligence, it would likely fit into this genre

Science fiction

200

This is a more limited version of a genre that adds its own specific conventions to the broader conventions and iconography of the genre as a whole

A subgenre

200

This is a film genre with origins in Gothic literature that seeks to frighten the

Horror

200

This is a subgenre of the melodrama that focuses on the physical plight and material conditions that repress or control the protagonist’s desires and emotions

Physical melodrama

200

These two genres often rely on women to evoke an audience's concern or pity

Melodrama and the social problem film

200

tension between what is seen onscreen and what might be hovering offscreen is a key convention of this genre

Horror

300

This is a fancy term for a spiritual, psychological, or cultural model expressing certain virtues, values, or timeless realities

An archetype

300

This is a film genre that celebrates the harmony and resiliency of social life, typically with a narrative that ends happily and often emphasizes episodes or “gags” over plot

Comedy

300

This is a subgenre of comedy in which humor takes second place to the emotional attraction of a couple who achieves a happy ending

Romantic comedy

300

If a character is a fast-talking "Hawksian woman" who's a little unpredictable and a lot absurdist, then she's probably found in this subgenre popularized in the 1940s

The screwball comedy

300

Wonder is the defining tone of this genre

Fantasy

400

This is the term for the arrangement and movement of actors in relation to each other within the mise-en-scène

Blocking

400

Unlike genres that offer instantly identifiable settings or characters, the social problem film is distinguished by this

Its subject matter

400

If a movie features song and dance numbers that occur in the real world and are part of the narrative rather than set aside as performances, then it is this musical subgenre

An integrated musical

400

Ghosts are common characters in these two genres

Horror and the revenge tragedy

400

The question “what if” is the guiding principle behind these two genres

Science fiction and fantasy

500

Walter Mathhau and Steve Buscemi are examples of this kind of recognizable actor associated with particular character types

Character actors

500

“Dig two graves” is a guiding piece of advice behind this genre

The revenge tragedy

500

This is a subgenre of the horror film that locates the dangers and distortions that threaten normal life in the minds of bizarre and deranged individuals

Psychological horror film

500

This is the job of the Western hero

To make the West safe for respectable settlement

500

According to Alfred Hitchcock, surprise creates the thrill of a sudden, unexpected occurrence. This is the emotion that is evoked when a film informs the audience what is about to happen and forces them to endure the anxiety of waiting for the inevitable

Suspense