Magic If
Beginning With Objectives
Internal Monologue
Stanislavski Acting Principles
100

Who developed the concept of “Magic If”

Stanislavski

100

What are short sections that the actor breaks down to identify the objective clearly?

Beats/Bits

100

What is an internal monologue? 

The characters inner thoughts and feelings that drive their actions

100

Why do we relax and concentrate before going on stage?

To relax their muscles to not feel tense and to reach a state of solitude.

200

In the Magic if, actors ask themselves what they would do in a given situation. This helps them connect with the character. This specific action is known as what?

Imagination 

200

What are Beats/Bits?

Short sections that end with each change of the objective

200

What allows a performer to create an internal monologue?

Understanding the objectives and methods of a character 

200

What are the five senses you use to create a sense of reality on stage?

Smell, touch, taste, sight, see

300

What question does the actor ask themselves when using the “Magic If” to create a truthful performance?

What if this situation happened to me?

300

How are beats/bits determined?

With the change of argument or emotion

300

Does this technique make each action feel spontaneous or scripted?

Spontaneous 

300

There are 4 Stanislavski methods, name 2 you can recall.

Relaxation and concentration, using the senses, action versus emotion, and using your imagination to create real emotions on stage.