What is Theater
Storylines
Acting
Theater Types
Design and Tech
100

Suspension of Disbelief

people in the audience know that what they are seeing on stage or screen is a pretend reality, but they are pretending that they do not know that

100

Climax/Resolution

Or crisis, is the decisive moment, or turning point, at which the rising action of the play is reversed to falling action. It may or may not coincide with the highest point of interest in the drama.

100

In the Moment

Being in the moment is about focus. It's about paying attention to what is happening right now. If you can truly focus on the scene you are in, moment to moment, everything else will fall away.

100

Proscenium Theatre

Proscenium stages have an architectural frame, known as the proscenium arch, although not always arched in shape.

100

Unit Set

A unit set is a single set which will stay the same throughout the play.



200

Director's Concept

A short statement that sums up your ideas about the play.Their vision for a production. This vision is reflected through every element of the production.

200

Exposition

The portion of a story/ play that introduces important background information to the audience such as setting, events occuring before the main plot, characters' back stories

200

Virtuoso

Acting that draws attention to itself. It is self consciously performing and the audience is aware of and marvel at the skill of the performer. Suites Non-naturalistic styles of performance.

200

Thrust Stage

What are three sides or an audience sitting on three sides?

200

Transition

the process of moving from one scene or set to the next

300

EDI

Equity, Diversity, and Inclusion

300

Rising Action

The part of a plot consisting of complications and discoveries that create conflict.

300

Body Centers

Your character's “body center” is the point from which all of his or her movement tends to originate.

300

Theatre in the Round

What is a Central performance area enclosed by the audience on all sides. 

300

Calling a Show

The Stage Manager keeps time and gives cues to actors and board ops. 

400

Objective

A character's pursuit of a specific goal in a scene. Also referred to as the intention or driving question.

400

Inciting Incident

an event that hooks the viewer into the story and sets everything else that happens into motion

400

Ensemble

The actor uses and interacts with the people on stage with them. They bounce off each other's energies to build the scene. An approach to acting that aims for a unified effect achieved by all members of a cast working together on behalf of the play, rather than emphasizing individual performances.

400

Site Specific

Site-specific theatre is usually performed in a non-traditional theatre space such as a pub, home or warehouse, often reflecting the history, atmosphere or experiences of a particular location.

400

Light Plot

The map that shows where lights are hung in a space.

500

Catharsis

An emotional release for the characters in a literary work, or an emotional release for the audience of the work

500

Denouement

the final part of a play, movie, or narrative in which the strands of the plot are drawn together and matters are explained or resolved.

500

The Method

Method acting is a range of training and rehearsal techniques that seek to encourage sincere and emotionally expressive performances, as formulated by a number of different theatre practitioners. Created by Stanislavski.

500

Environmental Staging

A production that attempts to immerse the audience in the performance by bringing the action off the stage area. This is most common for interactive theater pieces.

500

Mise en Scene

the contents of the stage and their arrangement:

- composition

- blocking

- props

-lighting

-costuming