Set
Costume
Lighting
Miscellaneous
Props
100

The person who creates the idea for all sets within a play.

Scenic or Set Designer

100

These are taken before the construction of a costume to ensure the costume is made to fit a specific actor.

Measurements

100

The main purpose for lighting in a play.

Mood, Visibility, and/or Setting

100

This type of stage has audience on all four sides.

Arena or Theatre in the Round.

100

The longer name for props.

Theatrical Properties

200

The group of people who move the set pieces around the stage in the dark for play transitions.

Crew

200
This item known for various textures is pieced together to make a costume.

Fabric

200

very thin transparent colored sheet used to produce colored lights.

Gel

200

This is the FIRST step any type of theatrical designer takes in their process.

Read the script.

200

This is a prop that helps establish a character. It is something they are known for such as a specific sword, cell phone, or cane.

Personal Prop

300

a curtain at the back of an acting area masking the backstage space. It is usually painted to represent a setting

Backdrop

300

a full-color sketch for the design of a costume

rendering

300

a thin, circular plate with designs cut in it to create patterns of projected light such as light shining through a tree.

Gobo

300

This type of stage has audience on only one side. Our PCHS auditorium stage is an example.

Proscenium

300

This is a prop that is edible and will need to be replaced after each performance.

Consumable

400

a wooden frame covered by canvas and used in constructing the walls of a set.

Flat

400

This person is in charge of constructing the shoes for a production.

Cobbler

400

a map or chart indicating the type, placement and direction of all lighting instruments, usually superimposed over a floor plan. It is a working diagram to be used throughout the setup and hanging of the show.

Light Plot

400

This is the stage direction closest to the audience.

Downstage

400

The person in charge of organizing props during a show backstage is called this.

Prop Master

500

a white large drape or drop covering the back and sides of the stage that is lit to create silhouettes and settings.

Cyclorama (cyc)

500

When an actor has very little time to switch costumes and sometimes might even need to do it on the stage it is called this.

Quickchange

500

This is the one type of stage light we have on our Port Chester High School stage.

ERS

500

All theatrical designers report to this person who is in charge of the entire vision for the show.

Director

500

articles such as curtains or paintings that are attached to the walls of the set for decoration.

Set dressings