Details
WHO REMEMBERS THIS?
THE PARALLELS
Who Said This?
Time, Memory
100

What was Ryan doing under the kitchen table during the violent fight between his parents in 1958?

Coloring/drawing a night sky on the underside of the table.

100

Who was Lillian’s first love and the biological father of her first child?

Zack Melendez.

100

Ryan hides under a table as a child. What does he later use alcohol for?

To hide from/soothe his pain.

100

“Love doesn’t always feel like we expect.”

Lillian — discussing the complicated forms love can take in families and relationships.

100

The novel spans roughly how many decades?

From 1958 to 2019

200

Where did Lillian first meet Ryan?

The Library

200

Who becomes Jet’s childhood best friend and eventually her husband?

Kendi

200

What does Ryan’s father, Barton, pass down to Ryan that becomes one of the novel’s central cycles?

Alcoholism, violence, fear, and unresolved trauma.

200

“What’s the difference between an excuse and a reason?”

Jet, reflecting on her father’s behavior and trying to understand the difference between explaining someone’s actions and excusing them.

200

What are the three primary perspectives used to tell the story?

Lillian, Jet, and Ryan.

300

What was the name of the art gallery Ryan and Lillian opened together?

Sundance Gallery

300

Why does Lillian travel to Nashville when her son is six?

To tell Zack that he has a son.

300

Lillian’s hidden son and Ryan’s hidden addiction are different secrets. What do they have in common?

Both are attempts to conceal painful parts of the past, and both eventually reshape the family.

300

“Love is time shared, and we make our choices.”

Lillian.

300

During Lillian’s miscarriage, the narration does something unusual with time. What?

Time appears to move backward.

400

What word did Jet misspell at her school spelling bee—the event where Ryan unexpectedly shows up with roses?

Descendant.

400

What does Jet initially blame Kendi for after Lillian’s death?

For not knowing/realizing that Lillian was dying in the next room.

400

Why is Jet’s unopened pregnancy test placed beside Lillian’s unopened letter such a deliberate parallel?

Both represent information about motherhood/family that Jet is not yet ready to confront; the novel links her secrecy and uncertainty to Lillian’s.

400

“Time can wash dirt off of a memory until it is revealed as something else entirely.”

: Jet’s reflection on memory and how her understanding of the past changes with time.

400

Why is it significant that the reader learns Ryan’s childhood trauma before fully experiencing his adult addiction?

It complicates the easy judgment that Ryan is simply repeating his father’s behavior; we understand the origins of his fear, anger, and coping mechanisms while still holding him accountable for his choices.

500

What two objects are sitting together in Jet’s glove compartment when Ryan discovers she is pregnant?

Her pregnancy test and the unopened letter from Lillian.

500

What experience finally makes Jet realize she wants a future with Kendi?

Photographing a wedding and witnessing the bride’s loving relationship with her husband-to-be makes Jet recognize that she does want love in her own life.

500

Ryan once hides beneath a table while adults fight. At the end of his life, what role does he hope to play for Apricity that contrasts with his own childhood?

A present, loving, emotionally available grandfather who gives her security rather than fear—and who wants her to remain open to joy rather than learn to hide from pain.

500

Lillian thinks that “hate is anemic when love hangs around like turpentine in the upholstery.” What later moment makes this line especially important?

Ryan begs Lillian to hate him, but she admits that although she hates what he has done, she still loves him—capturing the novel’s refusal to make love and anger mutually exclusive.



500

The epigraph says, “Sorrow eats time. Be patient. Time eats sorrow.” How does the entire structure of the novel enact this idea?

The story repeatedly moves across decades, showing that grief and trauma don’t disappear but change meaning with time. Events that initially look like betrayal, abandonment, or failure are reinterpreted years later as characters gain distance, context, forgiveness, or new experiences.