The Nature of Theatre/Audience & Critical Performance
The Play

Festival Theatre
Theatre in the 1800's:Realism and Romanticism
Modernism
100

This is a "dynamic in which the audience agrees to accept the fictional world of the play on an imaginative level while knowing it to be untrue."

Willing Suspension of Disbelief

100

These are the two most common plot structures.

Climatic (linear) and Episodic

100

Which structures today most resemble Greek theatres?

sports arenas

100

This is the most popular theatrical form of the Romantic period?

Melodrama

100

Edward Gordon Craig denied that theatre was a fusion of many arts, instead seeing it as:

a wholly autonomous art, fused by a master artist.

200

Developing a critical eye for theatre can be viewed as involving which three-step process?

Having the experience of the play, analyzing the experience, and then communicating one's response to another person.

200

The beginning of a play usually involves _______________: the setting forth of information

about earlier events, the identity and relationship of the characters, and the present situation.

Exposition

200

Similar to a modern parade float, which device was used to accomplish the processional staging

of the English Wakefield Cycle?

Pageant wagon

200

Because the plots of melodramas were fairly predictable, variety was achieved through what?

Exotic locals

200

Max Reinhardt, an Austrian director, achieved a breakthrough in the theatre by:

treating each production as a new challenge that demanded its own unique stylistic solution.

300

These qualities that help distinguish theatre from the other arts?

Complexity of means, objectivity, immediacy, and lifelikeness

300

These are the two basic types of dramatic forms.

Tragedy and Comedy

300

In the medieval period, drama presented in churches or monasteries is called what?

Liturgical drama

300

The present-day __________, who assumes responsibility for interpreting the script and for

approving and coordinating all of the elements that make up a production, is primarily a product

of the late nineteenth century.

Director

300

Futurism was influenced by:

a glorification of the speed and energy of the machine age

400

These are of the three core problems facing the critic?

Understanding, Effectiveness, and Ultimate Worth

400

According to the first theatre theorist, the ancient Greek philosopher Aristotle, a play is a

presentation of people in _________, which for Aristotle was not only about the behavior of

characters but also their motivations.

Action

400

What term that we use today for contrived endings came about because of the overuse of gods

to resolve difficult dramatic situations?

Deus ex Machina

400

This is a device in Melodrama where the good are rewarded and the bad are punished.

Poetic Justice

400

The Depression brought about unprecedented support in American theatre history, exemplified by:

the government-subsidized Federal Theatre Project.

500

Theatre draws upon all of these other artforms 

Literature, painting, architecture, and sculpture, speech, music, and dance.

500

A character CANNOT be revealed by:

What the character thinks of other characters but does not say.

500

At the theatre of Dionysus, what was the thymele?

An altar dedicated to Dionysus

500

During the Late 19th century, box sets become a popular setting for realistic plays.  What is a box set?

A set that fully encloses the acting space on three sides like the wall of a room, but with one side removed.  

500

The concepts of epic theatre and alienation are chiefly associated with:

Bertolt Brecht.