Types of Theaters
Dramatic Structure
Parts of the Stage
Characterization
Literary Elements
100

The part of the auditorium where the audience sits.

The House

100
The turning point in a play

Climax

100

The area outside the acting area on both sides of the stage

Wings

100

Putting together all the facets of a character to make them a living convincing human being

Characterization

100

The basic idea of a play

Theme

200

A traditional stage where the audience sits far away facing the stage

Proscenium stage

200
The series of events following the climax
Falling Action
200

The section of the stage in front of the curtain

Apron

200

The main character in the play

Protagonist

200

A play in which the protagonist fails to achieve desired goals or is overcome by opposing forces

Tragedy

300

A stage where the front end juts out into the audience so that they are on three sides

Thrust Stage

300

The series of events following the initial incident

Rising Action

300

Cloth hung to enclose the acting area where colored lights are projected to denote time of day, mood, etc.

Cyclorama

300

The person of force working against the protagonist in a play

Antagonist

300

A play that presents life as we would like it to be

Romantic comedy

400

A bare bones theater with minimal set, props, etc. where the audience is at one level and can be moved around

Black Box

400

The information put before an audience that gives the where, when, why, and who facts of the play

Exposition

400

The area above the stage in which scenery or actors are hung

Flies

400

The reason behind a character's behavior

Motivation

400

A serious play that arouses intense emotion and usually has a happy ending

melodrama

500

A stage where the audience is seated from all directions

Arena Stage (Theater in the Round)

500

An element of the plot that is the solution of a mystery and/or an explanation of the outcome

Denouement

500

A stage curtain which opens from the middle to the sides of the stage

Traveller

500

Character interpretations which are not in a script but are supplied by an actor

Subtext

500

The power to arouse feelings of pity and compassion in an audience

Pathos