Rodgers and Hammerstein were the first playwrights to popularize the integrated book musical, which ushered in this period of Broadway history
"Golden Age"
aria
bel canto
recitative
tableau
tableau
A pre-Romantic movement in German literature, this three-word term is usually translated as “storm and stress”
Sturm und Drang
An Octoroon
Branden Jacobs-Jenkins
This Nigerian poet and playwright blended Yoruba traditions with Western dramatic forms to confront colonialism and postcolonial identity
Wole Soyinka
He is frequently regarded as the first modern theatre director
Georg II, the Duke of Saxe-Meiningen
Einstein on the Beach
Mabou Mines Dollhouse
Machinal
Table Top Shakespeare
Machinal
These two related movements both emerged in the late 19th century and sought to portray real life onstage
realism & naturalism
The Rhinegold
Richard Wagner
Brazilian practitioner Augusto Boal developed this theatre that aims to empower marginalized communities and encourage social and political change
Theatre of the Oppressed
This actress, theatre producer, and manager is often credited as the first to introduce the box set
Madame Vestris
Karen Finley
Holly Hughes
Tim Miller
Heiner Müller
Heiner Müller
The ableist term "color-blind casting" has been replaced by this term that may refer to casting differently in regards to body shape, sex, gender, and/or disability as well as ethnicity and skin color
nontraditional casting
or inclusive casting
The Threepenny Opera (2)
Bertolt Brecht and Kurt Weill
He is a leading Singaporean director known for creating works that feature a range of master artists from different theatrical traditions
Ong Keng Sen
He was the first European scenic designer to not have a professional background in architecture
Philip James de Loutherbourg
commentaries
diaries
letters
newspapers
records of business dealings
commentaries
Environmental, site-specific, promenade, and interactive are all examples of this larger theatrical style
immersive theatre
The Normal Heart
Larry Kramer
This Serbian-born artist staged a performance at MoMA where she sat silently for hours across from strangers, inviting them to share in a powerful live encounter
Marina Abramović
This type of company, which performed only one play and specialized in long runs, overtook repertory companies in popularity
combination company
Oskar Kokoschka
Maurice Maeterlinck
Friedrich Schiller
August Strindberg
Friedrich Schiller
This significant essay by Arthur Miller harkened back to 18th-century bourgeois tragedy
"Tragedy and the Common Man"
The Hairy Ape
Eugene O'Neill
This Polish theatre director developed "poor theatre," a performance style that eliminated elaborate sets and costumes to focus on the actor–audience relationship
Jerzy Grotowski