"PHRASING!"
antedecent + consequent
period
cadence with V-I progression and scale degree 3 in the melody line
Exposition sections: primary, _______, secondary, closing
transition
ABACABA
clarinet in A
down a minor 3rd
presentation + continuation
sentence
b.i. + c.i. (no cadence) = ??
C.B.I.
a section at the end of the development that (often) emphasizes the home dominant
retransition
/: A :/: B (A) :/
rounded binary form
horn in F
down a perfect 5th
C.B.I. + consequent
hybrid
ABA(')
ternary
the thinning of texture/a rest at the end of the transition
medial caesura
____ or _____ are typical titles of Baroque variations, performed on a short harmonic progression or on a short melody
chaconne or passacaglia
bassoon
trick question - doesn't transpose!
antecedent + ECP
hybrid
elision or overlap
a short modulating passage that prepares exposition repeat (or development)
link or bridge
a form that clearly divides into 3 parts (ABA), where the A and B sections are themselves binary, rounded binary, or ternary forms
compound ternary
horn in D
down a minor 7th
an 8-measure sentence + an 8-measure sentence
(antecedent + consequent)
compound period
an overlapping of subject entrances before an ongoing statement by some other voice finishes (in a fugue)
stretto
the most common scenario for the end of a transition is a HC in the new key. the second most common scenario is _______
HC in I
the most common form of a "theme" in a Classical theme and variations
binary (sometimes rounded binary)
up a major 2nd