Mise-en-scene
Camera angles/ movements
Sound
Editing
lighting/ color
100

What is Mise-en-scene?

meez-on-sen) is a French term that we use when we describe every visible detail within the frame.

100

An angle shot from the sholders up.

Close-up

100

 the subtle, low-volume sound present at any location or space when no dialogue is spoken; recordings are used to fill editing gaps between audio clips





room tone

100

a black circle closes to end a scene or opens to begin a scene

Iris in/ Iris out

100

Bright lighting with a strong key light and a strong fill light, it eliminates harsh shadows from the subject, which tends to reduce contrast



High-Key lighting

200

What is body language?

Body Language - the posture or gestures of the body that show a character’s feelings

200

An angle shot from the torso up?

Mid- shot

200

sound outside of the world of the film;

Non-Diegetic

200

What is editing

is the basic creative force of filmmaking, is the process of selecting, arranging, and assembling the essential components of a movie–visual, sound, and the special effects– to tell the story in a unique way.

200

What is Three- Point lighting?

-the most common, basic lighting setup.

-Consist of a key light, back light, and fill light

300

Define Blocking

Blocking - the positioning and movement of the actors

300

a shot that includes a camera on wheels is often called

Dolly shot

300

any sound from the story world of the film;

Diegetic

300

creating the illusion of seamlessness with the edit.

Continunity editing

300

describes intense, pure, rich, full color

High saturation

400

the camera should stay on one side of the imaginary eyeline or line of motion (action line) to maintain screen direction; crossing that imaginary line will change the actor’s left-right position on screen

The 180 degree rule

400

when sound carries over a visual transition;

Sound Bridge