HERO: WANT vs NEED
Save the Cat Beat Sheet
Three-Act Structure
Pitching Essentials
Pre-Production Crew Work
100

What is the difference between a hero’s outer want and inner need?

The outer want is the thing the hero seeks; the inner need is the deeper emotional change they require.

100

Which beat introduces the main idea of the story and sets the tone?

The Opening Image or Theme Stated.

100

Which act generally covers pages 1–30 of a screenplay?

Act I.

100

A pitch is a brief, verbal __________ of a project, meant to be __________.

Description; persuasive.

100

Pre-production is the work of making all the __________ and __________ before filming.

Answer: Creative decisions and logistical plans.

200

Name the outer want for Nemo’s dad, Marlin, in Finding Nemo.

To find his missing son.

200

What beat is also known as the “inciting incident”?

The Catalyst.

200

Which act contains the midpoint?

Act II.

200

Blake Snyder suggested pitching to ________. Why?

Strangers, because they give more honest reactions.

200

What’s the difference between cast and crew?

 Cast acts; crew builds and runs the production.

300

Name the inner need for Shrek.

To learn to accept himself and let others in.

300

Which beat marks the moment when the hero enters a new world?

Break Into Two.

300

What major turning point usually occurs at the end of Act I?

Break into Act II (the hero enters the new world).

300

What is a logline?

A one-sentence summary including genre, protagonist, and plot outline.

300

The script breakdown lists characters, locations, props, costumes, and ________.

Vehicles (or special needs).

400

Which character from the slide deck must learn to embrace leadership as their inner need?

Simba.

400

This beat is described in your slide deck as a false victory or false defeat.

The Midpoint.

400

Which act includes the final showdown or climax?

Act III. (Finale)

400

Name three ingredients of a strong pitch.

Confidence, comparisons to successful films, visual aids (or characters, story info, casting ideas, audience).

400

What is a call sheet?

 A document listing schedule, scenes, crew call times, and production details.

500

Explain how a filmmaker uses a character’s want/need to build emotional stakes.

The conflict between want and need drives character growth and raises the emotional investment for the audience.

500

What is the beat where the hero “finds their inner strength” after things seemed lost?

Break Into Three.

500

Define the “Catalyst” and give an example from your slides.

The inciting incident that sparks the hero’s journey; example: The Lion King.

500

Why is pitching useful for filmmakers beyond selling the idea?

It helps identify the resources needed and helps get the film made.

500

Why is pre-production considered “unglamorous” but essential?

It prevents chaos on set, ensures preparation, and allows the film to be executed safely and efficiently.