Angle
Framing
Editing
Movement
Extras
100

A shot in which the camera photographs a scene from directly overhead; implicitly passes judgement on these 'small' things

Bird's Eye View

100

The recording of a full scene, from start to finish, that has all of the talent and action in one framed sequence.

Master Shot

100

two totally different objects or people appear in back-to-back shots with a wipe or dissolve between them.



match-cut

100

rotating the camera side to side to capture a 360 degree view

pan

100

_________ and __________  are used in varying degrees to alter the tone or mood of the film. 

light, shadow

200

two or more shots edited together that alternate characters, typically in a conversation situation

Shot/reverse shot

200

A specific type of extreme long shot used to tell the audience where and when the program takes place.

Establishing Shot

200

When several shots in a film are deliberately removed at once. Used to create the illusion of something springing forward at an unnatural or inhuman speed. Can be startling and are very popular in horror films.

jump cut

200


angling the camera up and down to get a top to bottom view

tilt

200

_____________ =  unsettling,_________ = disorienting

long shots, fast shots

300

A shot in which the subject is photographed from below; makes actors seem larger; used to convey size and strength

Low angle/Worm's eye view

300

Shows subject and location/environment in its entirety; typically used for showing larger objects that are massive

Wide Shot

300

Most frequently used editing technique: multiple shots placed in sequence creates the illusion of events unfolding along a standard chronological passage of time

standard cut

300

literally named for sliding a camera along a track to change distance from a subject without zooming

tracking/dolly

300

A comic-book-like technique where one shot seems to melt into another can appear in all sorts of shapes and directions. Often used to convey a short passage of time.



wipe cut

400

Creates the illusion that two characters are actually looking at one another.

eyeline matching

400

A framing in which the scale of the object shown is of moderate size; a human figure seen from the waist up would fill most of the screen; the most common shot in film

Medium Shot

400

presenting multiple sequences in short succession, creates a sense of an unfolding story where each shot or scene blends seamlessly with the next

continuity editing

400

more gritty and realistic than stationary cameras

hand-held camera

400

The alternating of shots from two sequences, often in different locales, suggesting that they are taking place at the same time.

intercut

500

off centered/tilted angled

Dutch angle

500

Shows a particular part of a subject with more detail, example: framing a subject from shoulders up

Close up shot

500

placing shots that correspond to noteworthy beats in the music



rhythmic editing

500

A camera mount, worn by the operator, that allows the camera to remain level even when the operator moves, ensuring extremely smooth hand-held traveling shots.

steadicam

500

All of the elements placed in front of the camera to be filmed: the settings and props, lighting, costumes and makeup, and figure behavior.



mis-en-scene