VCO
VCO
Audio Basics
Audio Basics
Audio Basics
100

A function on cameras that forces the camera to see an object as white, without regard to the type of lighting hitting it or the actual color of the object.

White Balance 

100

Covers the top of the head to the bottom of the feet

Long Shot 

100

A barrier made of shaped wire covered with a piece of nylon that is placed between a sensitive mic and the talent to avoid damage to the diaphragm of the mic.

Pop Filter

100

The sound present in a room or at a location before human occupation.

Room Tone

100

A very sensitive mic that looks like a satellite dish with handles and is designed to pick up sounds at a distance.

Parabolic Reflector Microphone

200

The area in front of the camera, regardless of the distance, in which objects are in focus.

Depth of Field 

200

A camera technique that moves the audience’s attention to the one portion of the picture that is in focus.

Shallow Depth of Field 

200

The most sensitive type of mic used in television and recording studios.

Ribbon Microphone

200

An off-camera narration when the viewer does not see the narrator.

Voice Over (VO)

200

Refers to how well a microphone hears sounds from various directions.

Pick-up Pattern 

300

A composition rule that divides the screen into thirds horizontally and vertically. 

Rule of Thirds 

300

The space from the tip of a person's nose to the side edge of the frame also called head room 

Nose room 

300

A mic that requires an external power supply (usually a battery) to operate.

Condenser Microphone

300

A signal that is a combination of both audio and video.

Radio Frequency (RF)

300

Has a pick-up pattern that captures sound from nearly every direction equally well, except the rear.

Omni-directional Mic 

400

The space from the top of a person's head to the top of the television screen

Head Room 

400

A specific type of extreme long shot used to tell the audience where and when the program takes place

Establishing Shot

400

A very rugged mic that has a good sound reproduction ability.

Dynamic Microphone

400

The process of copying a video clip or audio track.

Dubbing

400

Picks up sound primarily from one (uni) direction.

Uni-directional or Cardioid Mic

500

Includes a person’s body from head to toe, and as much surrounding information by dollying and zooming out.

Extreme Long Shot (ELS/XLS)

500

Covers the top of the head to just above or below the knee.

Medium Long Shot (MLS) 

500

A mic that uses a short cable to connect the mic to a radio transmitter with an antenna.

Wireless Microphone

500

Small dots on a screen that usually occur from not enough light.

Video Noise/Grain/Snow

500

A directional mic with an extremely narrow pick-up pattern.

Shotgun Mic