a mark that spans a distance between two points
LINE
an organized repetition of elements
PATTERN
We use this technique to make 2-dimensional shapes appear to be more 3-dimensional forms.
SHADING
gluing multiple images, text and words, and other found objects to create one whole work of art
COLLAGE
red, yellow, blue
PRIMARY COLORS
a three-dimensional object defined by length, width, and depth
FORM
when a specific element creates a focal point
EMPHASIS
This type of paint is more translucent than acrylic and can come in a solid palette.
WATERCOLOR
The artist draws an arrangement of objects from observation using value to reflect reality.
STILL LIFE
orange, green, violet
SECONDARY COLORS
how something feels or looks like it feels
TEXTURE
when elements in an artwork are harmonious
UNITY
When using watercolor paint, which colors should be added first: light or dark?
LIGHT COLORS
using glue and paper to create a 3-dimensional sculpture
PAPIER MACHE
a building in which artworks are stored and exhibited
MUSEUM
the range of light to dark
VALUE
the relative size of a subject compared to the rest of the artwork
PROPORTION
the process for removing air bubbles from clay
WEDGING
This type of drawing helps you sketch out the rough shapes and forms of an artwork.
GESTURE DRAWING
an analysis of an artwork, where feedback can be given
CRITIQUE
SPACE
distribution of visual weight in an artwork
BALANCE
the process for joining two pieces of clay together
SCORE AND SLIP
This is the type of perspective we use when creating landscapes.
ATMOSPHERIC PERSPECTIVE
a written description of your own artwork
ARTIST'S STATEMENT