different shots
what makes a film
everything else
everything else pt.1 /previous vocab pt.1
previous vocab pt.2
100

a type of shot that frames the subject from the waist up.

medium shot

100

the wardrobe for the actors.

costumes

100

the organization of materials and the planning of the film including design, scheduling, and shot selection.

Pre-Production

100

a close-up shot of an object or a part of the body that is needed to tell the story

insert

100

lines said between two or more people

dialogue

200

the organization of materials and the planning of the film including design, scheduling, and shot selection.

wide or long shots

200

the second stage of producing a film where the filming begins

production

200

duties include making the daily call sheet and making sure that the cast is in place at the right time. Similar to a Stage Manager in theatre.


2nd Assistant Director

200

introduced the concept of thirteen beats that break down the three-act structure into moments the protagonist must go through to finish the story.

Blake Snyder
200
a one or two sentence-long description of a movie, usually used in pitching a film.

logline

300

a move where the camera follows the subject can be described as a gimbal shot.

gimbal shot

300

the location where the filming happens

set

300

the graphics and words introducing the film and the subtitles or credits throughout the film.

graphics & titles

300

the twelve different beats that a hero protagonist goes through in the plot of a movie.

Hero's Journey

300

the character’s name in all caps which signifies the beginning of that character’s dialogue.

Character cue

400

moves left or right parallel to the subject, usually on a rail system to keep the shot smooth.

tracking shot

400

a portable object that actors manipulate in film

prop

400

the graphics and words introducing the film and the subtitles or credits throughout the film. are visual representations of each shot

storyboard

400

the beginning of every scene, comprised of three parts: either INT. (interior) or EXT. (exterior,) a specific location and NIGHT or DAY. For Example: INT. CLASSROOM – DAY

Scene Heading

400

a multiple-page document outlining the plot, the look and major imagery of a film. Treatments have sparse dialogue and are mostly description. All the major plot points or beats should be present.

Treatment

500

moves in one direction toward or away from a subject, usually on a rail system to keep the shot smooth.

dolly shot

500

the preliminary plan for the type, angle, and movement for each shot in a film

shot list

500

a type of shot that frames only the shoulders and head of a subject.

close up

500

direct our attention to what's important within a scene. A slug line is not a new scene heading, but a quick change to a different point of view or place without rewriting an entire new scene heading.

slug line

500

Most films follow a three-act structure: Act I is the beginning, Act II is the middle, and Act III is the end.

Three-Act Structure