Never Let Me Go
An Inspector Calls
Poetry Anthology
English Language Skills
Literary Techniques
100

The homodiegetic narrator of the novel

Kathy H.

100

They call themselves "a hard-headed, practical man of business"

Mr. Birling

100

This poem portrays London as a city filled with “marks of weakness, marks of woe.”

'London'

100

This skill involves working out ideas and feelings that the writer hints at but never states directly.

Inference

100

This technique repeats a word or phrase at the beginning of multiple lines or clauses to create emphasis, rhythm, or emotional intensity.

anaphora

200

The lost corner of England

Norfolk

200

Refers to Eva Smith as "a girl of that sort"

Mrs. Birling

200

This poem contrasts the vibrant life of the Caribbean with an English coastline, brought together by a violent storm.

'Hurricane Hits England'
200

This skill means you must give evidence, identify techniques and explain effect — not just describe what happens.

Analysis

200

This structural device places two contrasting ideas, images, or settings side by side to highlight their differences.

juxtaposition

300

The singer of 'Never Let Me Go'

Judy Bridgewater

300

They say "But these girls aren’t cheap labour – they’re people"

Sheila Birling

300

This poem describes “wooden farmhouses, old, in need of paint,” hinting at a modest rural upbringing.

'Where I Come From'

300

When you are asked to judge how effective or convincing a text is, you are being tested on this reading skill.

Evaluation

300

A character who contrasts with another character, often the protagonist, to highlight particular qualities.

foil

400

A symbol of mortality, highlighting the passage of time and the inevitability of loss that comes with it.

The boat

400

They are referred to as "the wonderful fairy prince"

Gerald Croft

400

In this poem, a speaker revisits a hill where a small moment of young love became a lifelong memory.

'At Castle Boterel'

400

This style of writing presents a discussion of different viewpoints, often weighing arguments before reaching a conclusion.

Discursive

400

A figure of speech where part of something represents the whole, or vice versa.

synecdoche

500
The last sentence of the novel

"I just waited a bit, then turned back to the car, to drive off to wherever it was I was supposed to be."

500

The final stage direction of the play

"As they stare guiltily and dumbfounded, the curtain falls."

500

This poem imagines mountains as “marvellous prowlers” and ends with a “bandolier of light” across a peak.

'Below the Green Corrie'

500

This type of writing may begin in media res to engage the reader.

Narrative

500

In a story, a character experiences a sudden realization about their true nature or the reality of their situation, often leading to a change in their behavior.

anagnorisis